Poetry Scotland: Newsboard

Congratulations to Robert Davidson who this summer took over the editorship of NorthWords after a couple of years on the editorial team. PS readers know him from his fine long poem ‘Columba’ (PS14) and other work.NorthWords editorial address:

Jim C Wilson has been appointed Royal Literary Fund's Writing Fellow at Napier University. Good luck in the new post Jim!

Letters

 

From Helena Nelson, Glenrothes.

I'm delighted to hear about the Poetry Scotland website. I hope you'll be able to include background on the contributors to the paper magazine, It's interesting to know something about your fellow writers. And I hope you'll go for the direct and simple approach, rather than lots of flashy things zooming round the screen [I'll drink to that too, says Colin]. In Summer 2001, (PS17), you featured some well known poets who were definitely dead. Perhaps you could do that on the site too? I'd welcome more poems from Scottish poets I ought to know ­ or would like to be reminded about. But whatever you do ­ I'm looking forward to it. The net can bring people together from all kinds of far-off places. Scotland's full of poets, but I can't be the only one who feels that wherever the "centre" is, it's somewhere I'm not. Good luck!

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From David Keefe, Bristol

I am delighted that you have decided to take my poem 'Delivering the Bread", and, correct, it should read 'loaves' not 'loafs'­ well spotted! Yes, I publish books by William Stafford and Robert Bly ­ a sample of which I enclose. I would be delighted to write something for your Poetry Scotland Website. Just tell me the sort of thing you have in mind, word-count etc. However, I am soon to depart for Autralia and New Zealand doing a three month workshop and reading tour, so realistically it will probably not get written until early in 2002. Keep up the good work on behalf of poetry Scotland. Best wishes

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From Brian Louis Pearce, Twickenham

I was glad to have your thoughts on what works and doesn't in a ballad and tend to agree with you, Sally. Thinking of Yeats, Kavanagh and other Irish work, and Scottish and English trad ballads and a couple of 20th century New Zealand ones, doubtless based on these kinds of examples, one does conclude:- Yes, ideally, you've to appear to have dashed off a ballad with a fine scorn (even if you took endless drafts); to take a high line in rhetoric and idea/opinion without qualification or hesitation, and to write (or seem to anyhow) out of deep conviction and passion, and a sort of devil may care, this is what I feel I want to say, whatever you may think of it, mood. Along with this is the need to speak in colloquial, down to earth language, and to use such aids of rhythm and sound and repetition (to which you allude) as are available to you. Mnemonic features in fact, so that someone may quote it at midnight or on the bus! It's a remnant of poetry as an open air (or pub room), declaimed rather than read alone in one's head convention. Your 'elevated statement' and 'almost exaggerated declamation' say it very well. You have to take a risk, jump off the platform, and really stake all on it. Well, that's enough metaphor. Glad you like it anyhow, and glad to have your comments in this task room or making house that like others of its kind, can seem isolated, even if one mixes with kin outside it!

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From Martha Modena Vertreace-Doody, Chicago.

22 September.

Dear Sally and Ian!

So good to hear your dear voices! I really have nothing even remotely about
the present horror ­ too new. I do have a sestina about my nephew Bryan's
murder.

Schuykill Safari, Philadelphia.

To get to the exhibit of swarming butterflies
my brother hurries us through a maze
museum of dinosaur bones. From a diorama lions
crouch near his wife and two daughters whose tears
we come to ease. Beyond plastic curtains, wings
of death's-head moths overshadow

our scared smiles as if shadows
target only sons, butterflies
who dry their wings,
who sip juice from bananas, rotting. Amazed
at how his son's flesh tears
in the lion's

jaws, my brother hums the old song: while the lion
sleeps, warriors cross moonlit shadows
of spears over the village. My brother drinks tears,
counting as he points to us ­ wife, daughters, sister. Butterflies
weave us through a maze,
a morning cloak of scaly wings.

In glass cages, birds' wings
fight evening's betrayal when the lion
springs for the next kill. Amazing,
my brother says, He looks alive. Shadows
like bullets scar midnight, flying
over kids, sister, wife. His trembling hands tear

five ticket stubs in half. With stone tears
the game warden sprinkles wings
over us like feathers of crystal. No flight
here
, where death claims the lion's
share of first fruits, and shadows
turn wild indigo into a maze

of missing sons. Canned growls do not amaze
my brother who knows the murder of his son tears
at other families. Caught in a shadowy
storm, hawks flutter to spill air off black wings
swooping over the lion's
back, arched as if he could fly

beyond amazement, beyond my brother tearing
shadows away as we escape the lion's
claws, the winged fragility of butterflies.

Seasonal Poem (See PS Competitions)

Ode to Autumn

Season of mists and mellow fruitfulness,

Close bosom-friend of the maturing sun,

Conspiring with him how to load and bless

With fruit the vines that round the thatch-eaves run;

To bend with apples the mossed cottage-trees,

And fill all fruit with ripeness to the core,

To swell the gourd, and plump the hazel shells

With a sweet kernel; to set budding more

And still more, later flowers for the bees,

Until they think warm days will never cease

For summer has o’erbrimmed their clammy cells.

Who hath not seen thee oft amid thy store?

Sometimes whoever seeks abroad may find

Thee sitting careless on a granary floor,

Thy hair soft-lifted by the winnowing wind,

Or on a half-reaped furrow sound asleep,

Drowsed with the fume of poppies; while thy hook

Spares the next swathe and all its twinèd flowers;

And sometimes like a gleaner thou dost keep

Steady thy laden head across a brook,

Or by a cider-press, with patient look,

Thou watchest the last oozings hours by hours.

Where are the songs of Spring? Ay, where are they?

Think not of them; thou hast thy music too –

While barrèd clouds bloom the soft-dying day,

And touch the stubble-plains with rosy hue;

Then in a wailful choir the small gnats mourn

Among the river sallows, norne aloft

Or sinking as the light wind lives or dies;

And full-grown lambs loud bleat from hilly bourn;

Hedge-crickets sing; and now with atreble soft

The redbreast whistles from a garden-croft,

And gathering swallows twitter in the skies.

John Keats

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