GAMBIT BOOKS ARCHIVE

Beating the Fianchetto Defences by Efstratios Grivas GAMBIT Publications Ltd. (http://www.gambitbooks.com), 191 large pages £15.99

The author is a Greek GM (born 1966) with experience as a trainer and writer. He aims to provide a comprehensive and internally coherent repertoire for the White player of “d4 c4 systems” against the following defences: Gruenfeld ( 1 d4 Nf6 2 c4 g6 3 Nc3 d5 4 Nf3 Bg7 5 Bg5 - 40 pages); Benko Gambit  (1 d4 Nf6 2 c4 c5 3 d5 b5 4 Nf3 – 25 pages); The Modern defence (1 d4 g6 2 c4 Bg7 3 Nf3 – 15 pages); Modern Benoni (1 d4 Nf6 2 c4 c5 3 d5 e6 4 Nc3 exd5 5 cxd5 d6 6 e4 g6 7 Nf3 Bg7 8 h3 0-0 9 Bd3 – 30 pages); King’s Indian (1 d4 Nf6 2 c4 g6 3 Nc3 Bg7 4 e4 d6 5  Nf3 0-0 6 h3 – 45 pages ).

Within each section he also deals with minor lines, such as the Snake Benoni and even lines that can arise by transposition (e.g. the Schlechter Slav). He is also alert to the sort of move order tricks that are part and parcel of modern chess. Each chapter has roughly the same format: “Starting out” (basics, plus a bit of history of the line), “Typical Endgames”, then coverage of minor lines and earlier deviations, gradually approaching his main line, and finally a few illustrative annotated games. Grivas has played most of these lines himself and he makes many original suggestions and assessments. The material is laid out clearly; there is an index of variations and a small but useful bibliography showing the cut-off point for the research in such standard sources as Informator and New in Chess Yearbook. There is no index of the complete games however.

Many other repertoire books give sharp lines where the stakes are very high. Grivas in contrast tends to prefer lines which offer White a slight edge (mostly based on extra space), with few losing chances. If that is the way you like to play then this book will definitely suit you!

An example would be the “ultimate main line” of his coverage of the King’s Indian, which is based on the game Sadler-Gallagher 2002: 1. d4 Nf6 2. c4 g6 3. Nc3 Bg7 4. e4 d6 5. Nf3 O-O 6. h3 e5 7. d5 Na6 8. Bg5 h6 9. Be3 Nc5 10. Nd2 a5 11. Be2 Bd7 12. h4 c6 13. g4 a4 14. g5 hxg5 15. hxg5 Nh7 16. Rg1 Qa5 17. Qb1 cxd5 18. Nxd5 Rfe8 19. f3 Qd8 20. Qc1 Bc6 21. Nb1 Ne6 22. Nbc3 Nd4 23. Qd2 Rc8 24. Kf2 Rf8 25. Rg3 Bxd5 26. Nxd5 f5 27. Bxd4 exd4 28. exf5 Rxf5 29. Rag1 Be5 30. f4 Qf8 31. Rf3 d3 32. Bxd3 Bd4+ 33. Kg2 Rxd5 34. Be4 Bxg1 35. Bxd5+ Kh8 36. Qc3+ Qg7 37. Kxg1 Re8 38. Kf2 b6 39. Qxg7+ Kxg7 40. Re3 1-0. In his acclaimed book “Play the King’s Indian”, Gallagher gave 19…Bc6 as an improvement, but Grivas has looked at this in more detail and continues with 20. Qc1!! (his punctuation) with the comment “White can claim a small advantage, as his queen comes to c3 and , in case of a queen exchange, the recapture bxc3 will always be a good move.” He then gives some original analysis, the main line of which ends on move 26 with +=.  Not much to show, you might think, for a novelty on move 20 awarded two exclamation marks, but this is typical – all through the book Grivas rejoices in what he considers to be small but stable advantages to White.

Given the huge amount of material in this book, it is almost inevitable that there will be some mistakes and some questionable assessments. In some quarters I have read, for instance, criticism of Grivas’s treatment of the Gruenfeld. This may or may not be justified – the devil is in the detail – but I think it should be kept in mind that Grivas is an experienced GM who has been playing his recommended system for a long time and with good results; for instance there are 33 games with his line against the Gruenfeld in my database, from which Grivas scores an impressive 71%, whilst he has scored less well, but still impressively, with his 6 h3 line against the King’s Indian (60%). Of course, even with such a highly qualified author, one should always follow the maxim of “trust – but verify”, but I suggest that the (rightly) sceptical reader needs to judge on a more substantial basis than a quick glance and a couple of minutes with Fritz – Grivas’s book is a solid piece of work and his judgement deserves respect.. If one cannot immediately see why Grivas prefers White in a certain position, it will probably be very instructive to make a serious analytical effort to find out!

Verdict: A serious repertoire book for the “d4 c4” player who likes extra space, sound and solid positions and small but workable advantages. Rating: **** 

French: Advance and Other Lines by Steffen Pedersen GAMBIT Publications Ltd. (http://www.gambitbooks.com), 143 large pages £14.99

The French: Tarrasch Variation by Steffen Pedersen GAMBIT Publications Ltd. (http://www.gambitbooks.com), 191 large pages £16.99

Fans of the French Defence should be feeling spoilt; they have a wealth of excellent material to help them, including Psakhis’s authoritative series for Batsford, Watson’s series of repertoire books for Everyman, and the wonderful book on the Winawer by Kindermann and Dirr for Chessgate. Thus these books from GAMBIT enter a very competitive market. The first thing I usually do when reviewing an opening book is to find out whether the author has first-hand experience of his subject. Steffen Pedersen is a Danish IM and an experienced chess author.  However, the number of games in my database in which he plays on either side of the French is quite small, which right away made me think that his assessments might not be as authoritative as those of, say, Psakhis or Watson. However, the more I looked at Pedersen’s two books, the more they rose in my estimation. Of course, they benefit enormously from GAMBIT’s high production values: good design, large pages, double-column layout, lots of diagrams, good organisation, bibliography, index of variations.... However, what really swung it for me is the large number of outstandingly clear and useful explanations that you can find on practically every page. The options and ideas in each variation are explained so well that I feel a lot clearer now about some lines that I have been playing for many years!

Verdict: Despite the strong competition in this field, these books can be recommended to anyone interested in playing either side of the French Defence. They are very suitable for keen club and tournament players, but even quite strong players new to these lines will find very useful instruction.

Rating: ****                

Understanding the King’s Indian by Mikhail Golubev GAMBIT Publications Ltd. (http://www.gambitbooks.com), 207 large pages £15.99

The KID is quite unfashionable at the moment; its drop in the ratings can be attributed to three factors: a) Kasparov’s problems as Black against Kramnik and his  eventual abandonment of the KID in the late 1990s; b) specific problems in some lines, notably the Bayonet Attack against the Classical system; c) a gradual shift amongst the strongest players in the last decade or so away from defences that concede space, along with a growing feeling that such defences are really not quite “correct”. This is not new of course; it could be seen in the writings of say Botvinnik or Fine in the middle of the last century; I also recall Larsen expressing the same opinion in the 1970s, and it seems that Korchnoi never had a high opinion of this defence either. Yet as long as there was a steady stream of brilliant games and impressive results from the long and distinguished line of KID exponents that included Boleslavsky, Bronstein, Geller, Gligoric, Tal, Stein, Fischer and Kasparov (closer to home, I can recall some wonderful KID games played by Jonathan Mestel and John Nunn), the critical voices were largely ignored.and the KID remained popular at all levels of chess. In the last few years the Slav (of all things) has been more popular than the King’s Indian, and I think chess has been the poorer for it. This may change, of course, if a KID player gets close to the World Championship – at the moment, Radjabov seems the best hope for this. Meanwhile, I take heart from the statistics, which show that in recent years the KID has been scoring no worse than average for Black.

One of the first things I look for when reviewing an opening book is: does the author play this opening? Well that’s no problem here: Mikhail Golubev is a dedicated career-long King’s Indian player, and indeed the book is based almost entirely on his own extensive experience with this opening. There are 56 main games, grouped according to variation, with many others mentioned in the notes. There is plenty of verbal explanation and lots of original analysis. Also the author’s enthusiasm for this opening really show through!

Verdict: Golubev’s inspiring work deserves to take its place, alongside Gallagher’s excellent King’s Indian books, on the shelf of aggressive players everywhere.

50 Essential Chess Lessons by Steve Giddins GAMBIT Publications Ltd. (http://www.gambitbooks.com), 159 large pages £14.99

When I first started being interested in chess, the first books I came across in my local library were two collections of games annotated by an American, Irving Chernev: Logical Chess – Move by Move, and The Most Instructive Games of Chess Ever Played. I learned a lot from these books, particularly about the basics of classical theory. I bought my own copies and for quite a log time I continued to recommend them to colleagues and (later) students. But for many years now these books have been gathering dust on my shelves. The problem is not so much that they use the descriptive notation (I think everyone should be “bilingual” in this respect) but that chess has moved on, and what we expect from a chess book has also changed.  I still think that collections of well annotated games can be a very useful means to improve your game, but now I find that Chernev’s writing is on the one hand far too dogmatic and on the other not rigorous enough. It seems that Steve Giddins too was inspired and then gradually disillusioned by Chernev, but he has actually done something about it; he has chosen fifty instructive games played between the 1930s and the present day, and annotated them à la Chernev, i.e. with extensive verbal comments and relatively few variations, but from a modern standpoint. He has also moved beyond Chernev in structuring the didactic content more systematically, by grouping the games into thematic sections (Attacking the King, Defence, Piece Power, Pawn-structure, Endgame Themes) and by providing a summary after each game (The Essential Lessons). I liked the choice of games, which includes many that I am sure will be new to the reader.

Verdict: Amid the recent flood of chess books, this one stands out as being one that can be heartily recommended to anyone seeking both entertainment and instruction on wide variety of chess topics in one volume.

Would make a good present, say for a keen (and literate) junior.

Chess Explained: the Classical Sicilian by Alex Yermolinsky GAMBIT Publications Ltd. (http://www.gambitbooks.com), 2006, 111 large pages £12.99

 

The flood of chess opening books continues, but this new book by the former US champion Alex Yermolinsky shows the market-leading Gambit publishers adopting a different format from their usual attempt to provide a through “tree” analysis of an opening. “Yermo” provides 25 annotated games, with the emphasis on understanding rather than comprehensive coverage, hence more verbal explanation than variations. The aim is to provide a good “feel” for the opening. The author’s chosen topic is a slightly surprising one for launching the new series, in the sense that it is not a “sexy” one such as the Najdorf or the Dragon.

 

 The Classical Sicilian is a Yermolinsky speciality however; it involves the move order 1 e4 c5 2 Nf3 Nc6 (or d6) 3 d4 cxd4 4 Nxd4 Nf6 5 Nc3 d6 (or Nc6). Up to the 1930s, this was one of the common routes to reach both the Dragon (which would often arise after 6 Be2 g6) and the Scheveningen (6 Be2 e6). Then aggressive Whites started playing 6 Bg5, after which 6...g6 is risky (to say the least) so the main line rapidly became 6...e6 7 Qd2! with the plan of 0-0-0, known as the Richter-Rauser Attack. In the 1940s Boleslavsky demonstrated in some influential games that 6 Be2 could also be answered by 6...e5!; it was soon realised that 6 Bg5 enabled White to avoid that variation as well. The 1950s saw interest developing in an alternative plan for White which also ruled out the Dragon and the Boleslavky: the even more aggressive 6 Bc4 (Sozin) which for a while in the 1960s and early 70s became a serious rival in popularity to 6 Bg5, largely under the influence of Fischer and Velimirovic.

 

The present book represents the current pecking order of White’s options against the Classical: 37 pages on the Richter-Rauser; 18 pages on the Sozin (focusing on 6...Qb6 but glancing at the interesting 6...Na5; no treatment of 6...e6), 9 pages on the Boleslavsky; and one game each with the much rarer options 6 g3, 6 Be3 and 6 f3 (no mention of 6 f4).

 

I am sure that it the Richter-Rauser that puts most players off playing the Classical. This has scored consistently well for White for over half a century and, although Black has many options, the middlegame positions are often easier for White to play, especially since he usually has the much safer king. Black’s chances tend to come in the endgame (in many lines he has the two bishops as well as extra pawns in the centre) - if he can last that long.

 

Yermo’s text reads pretty well and I didn’t get the impression that he was holding much back. I would say that if you liked his first book “The Road to Chess Improvement” (and are interested in this Sicilian line) you will like this one too.

 

In recent years the Classical Sicilian has declined in popularity, especially compared to the Najdorf and the Sveshnikov, but it received a recent boost at the 2006 European Championships; where the new champion Zdenko Kozul scored 3.5/4 with Black, including winning all three of his games against the much-feared Richter-Rauser!

 

There is a list of games and an index of variations, but no bibliography. Interested readers should try to get hold of The Complete Richter Rauser by Wells and Osnos, and the Easy Guide to the Classical Sicilian by Yrjola.

Verdict: Yermo’s book represents a good way to get to grips with this sound and interesting opening system. Rating: **** Recommended 

BEAT THE GRANDMASTERS by Christian Kongsted, GAMBIT Publications Ltd. (http://www.gambitbooks.com), 176 pages £14.99

This handy-sized book contains 351 puzzle positions. All the positions are taken from real games, mostly recent and unpublished. The solutions are explained both with analysis and verbally, and there is a scoring system. The puzzles sections are in increasing order of difficulty. The design and production values are well up to the usual GAMBIT standard.

Verdict: a useful collection of practice positions for the student or coach. Recommended. ***

Beating the Fianchetto Defences: by Efstratios Grivas, GAMBIT Publications Ltd. (http://www.gambitbooks.com), 191 large pages £15.99

The author is a Greek GM (born 1966) with experience as a trainer and writer. He aims to provide a comprehensive and internally coherent repertoire for the White player of “d4 c4 systems” against the following defences: Gruenfeld ( 1 d4 Nf6 2 c4 g6 3 Nc3 d5 4 Nf3 Bg7 5 Bg5 - 40 pages); Benko Gambit  (1 d4 Nf6 2 c4 c5 3 d5 b5 4 Nf3 – 25 pages); The Modern defence (1 d4 g6 2 c4 Bg7 3 Nf3 – 15 pages); Modern Benoni (1 d4 Nf6 2 c4 c5 3 d5 e6 4 Nc3 exd5 5 cxd5 d6 6 e4 g6 7 Nf3 Bg7 8 h3 0-0 9 Bd3 – 30 pages); King’s Indian (1 d4 Nf6 2 c4 g6 3 Nc3 Bg7 4 e4 d6 5  Nf3 0-0 6 h3 – 45 pages ).

Within each section he also deals with minor lines, such as the Snake Benoni and even lines that can arise by transposition (e.g. the Schlechter Slav). He is also alert to the sort of move order tricks that are part and parcel of modern chess. Each chapter has roughly the same format: “Starting out” (basics, plus a bit of history of the line), “Typical Endgames”, then coverage of minor lines and earlier deviations, gradually approaching his main line, and finally a few illustrative annotated games. Grivas has played most of these lines himself and he makes many original suggestions and assessments. The material is laid out clearly; there is an index of variations and a small but useful bibliography showing the cut-off point for the research in such standard sources as Informator and New in Chess Yearbook. There is no index of the complete games however.

Many other repertoire books give sharp lines where the stakes are very high. Grivas in contrast tends to prefer lines which offer White a slight edge (mostly based on extra space), with few losing chances. If that is the way you like to play then this book will definitely suit you!

An example would be the “ultimate main line” of his coverage of the King’s Indian, which is based on the game Sadler-Gallagher 2002: 1. d4 Nf6 2. c4 g6 3. Nc3 Bg7 4. e4 d6 5. Nf3 O-O 6. h3 e5 7. d5 Na6 8. Bg5 h6 9. Be3 Nc5 10. Nd2 a5 11. Be2 Bd7 12. h4 c6 13. g4 a4 14. g5 hxg5 15. hxg5 Nh7 16. Rg1 Qa5 17. Qb1 cxd5 18. Nxd5 Rfe8 19. f3 Qd8 20. Qc1 Bc6 21. Nb1 Ne6 22. Nbc3 Nd4 23. Qd2 Rc8 24. Kf2 Rf8 25. Rg3 Bxd5 26. Nxd5 f5 27. Bxd4 exd4 28. exf5 Rxf5 29. Rag1 Be5 30. f4 Qf8 31. Rf3 d3 32. Bxd3 Bd4+ 33. Kg2 Rxd5 34. Be4 Bxg1 35. Bxd5+ Kh8 36. Qc3+ Qg7 37. Kxg1 Re8 38. Kf2 b6 39. Qxg7+ Kxg7 40. Re3 1-0. In his acclaimed book “Play the King’s Indian”, Gallagher gave 19…Bc6 as an improvement, but Grivas has looked at this in more detail and continues with 20. Qc1!! (his punctuation) with the comment “White can claim a small advantage, as his queen comes to c3 and , in case of a queen exchange, the recapture bxc3 will always be a good move.” He then gives some original analysis, the main line of which ends on move 26 with +=.  Not much to show, you might think, for a novelty on move 20 awarded two exclamation marks, but this is typical – all through the book Grivas rejoices in what he considers to be small but stable advantages to White.

Given the huge amount of material in this book, it is almost inevitable that there will be some mistakes and some questionable assessments. In some quarters I have read, for instance, criticism of Grivas’s treatment of the Gruenfeld. This may or may not be justified – the devil is in the detail – but I think it should be kept in mind that Grivas is an experienced GM who has been playing his recommended system for a long time and with good results; for instance there are 33 games with his line against the Gruenfeld in my database, from which Grivas scores an impressive 71%, whilst he has scored less well, but still impressively, with his 6 h3 line against the King’s Indian (60%). Of course, even with such a highly qualified author, one should always follow the maxim of “trust – but verify”, but I suggest that the (rightly) sceptical reader needs to judge on a more substantial basis than a quick glance and a couple of minutes with Fritz – Grivas’s book is a solid piece of work and his judgement deserves respect.. If one cannot immediately see why Grivas prefers White in a certain position, it will probably be very instructive to make a serious analytical effort to find out!

Verdict: A serious repertoire book for the “d4 c4” player who likes extra space, sound and solid positions and small but workable advantages.  ****

Chess for Children, by Murray Chandler and Helen Milligan, 111 large pages, hardback, Gambit (www.gambitbooks.com), £9.99

 

This the hardest book that I’ve had to review for some time.  An adult can only guess at the impact a book will have on a child! All I can say is that this looks an attractive and well thought-out book for very young beginners. I was a bit shocked to find what seemed to be a repeated spelling mistake (practicing), but then I also spotted “center” and concluded that book is aimed at the American market.

 

Verdict: looks like a good book for young beginners, but “the proof of the pudding” etc.

Chess Explained: the Classical Sicilian, by Alex Yermolinsky, GAMBIT Publications Ltd. (http://www.gambitbooks.com), 2006, 111 large pages £12.99

The flood of chess opening books continues, but this new book by the former US champion Alex Yermolinsky shows the market-leading Gambit publishers adopting a different format from their usual attempt to provide a through “tree” analysis of an opening. “Yermo” provides 25 annotated games, with the emphasis on understanding rather than comprehensive coverage, hence more verbal explanation than variations. The aim is to provide a good “feel” for the opening. The author’s chosen topic is a slightly surprising one for launching the new series, in the sense that it is not a “sexy” one such as the Najdorf or the Dragon.

 

The Classical Sicilian is a Yermolinsky speciality however; it involves the move order 1 e4 c5 2 Nf3 Nc6 (or d6) 3 d4 cxd4 4 Nxd4 Nf6 5 Nc3 d6 (or Nc6). Up to the 1930s, this was one of the common routes to reach both the Dragon (which would often arise after 6 Be2 g6) and the Scheveningen (6 Be2 e6). Then aggressive Whites started playing 6 Bg5, after which 6...g6 is risky (to say the least) so the main line rapidly became 6...e6 7 Qd2! with the plan of 0-0-0, known as the Richter-Rauser Attack. In the 1940s Boleslavsky demonstrated in some influential games that 6 Be2 could also be answered by 6...e5!; it was soon realised that 6 Bg5 enabled White to avoid that variation as well. The 1950s saw interest developing in an alternative plan for White which also ruled out the Dragon and the Boleslavky: the even more aggressive 6 Bc4 (Sozin) which for a while in the 1960s and early 70s became a serious rival in popularity to 6 Bg5, largely under the influence of Fischer and Velimirovic.

 

The present book represents the current pecking order of White’s options against the Classical: 37 pages on the Richter-Rauser; 18 pages on the Sozin (focusing on 6...Qb6 but glancing at the interesting 6...Na5; no treatment of 6...e6), 9 pages on the Boleslavsky; and one game each with the much rarer options 6 g3, 6 Be3 and 6 f3 (no mention of 6 f4).

 

I am sure that it the Richter-Rauser that puts most players off playing the Classical. This has scored consistently well for White for over half a century and, although Black has many options, the middlegame positions are often easier for White to play, especially since he usually has the much safer king. Black’s chances tend to come in the endgame (in many lines he has the two bishops as well as extra pawns in the centre) - if he can last that long.

 

Yermo’s text reads pretty well and I didn’t get the impression that he was holding much back. I would say that if you liked his first book “The Road to Chess Improvement” (and are interested in this Sicilian line) you will like this one too.

 

In recent years the Classical Sicilian has declined in popularity, especially compared to the Najdorf and the Sveshnikov, but it received a recent boost at the 2006 European Championships; where the new champion Zdenko Kozul scored 3.5/4 with Black, including winning all three of his games against the much-feared Richter-Rauser!

 

There is a list of games and an index of variations, but no bibliography. Interested readers should try to get hold of The Complete Richter Rauser by Wells and Osnos, and the Easy Guide to the Classical Sicilian by Yrjola.

Verdict: Yermo’s book represents a good way to get to grips with this sound and interesting opening system. Recommended ****

Chess Self-Improvement by Zenon Franco, GAMBIT Publications Ltd. (http://www.gambitbooks.com), 240 large pages £16.99

This big book contains 50 games annotated in “How good is your chess?” fashion. It can therefore be used just as a collection of high-class annotated games, or for individual or group training. Franco is a GM and trainer, originally from South America, now resident in Spain, and most of the material originally appeared in Spanish-language magazines. although it has all been revised for this complilation. The games are indexed by player and opening. As usual with GAMBIT books, this one is well designed and produced and a pleasure to handle and use.

Verdict: excellent material for enjoyment and training. Highly recommended: ****

Chess Strategy in action, by John Watson, GAMBIT, [www.gambitbooks.com],

287 pages, £19.99

 

This is the follow up to Watson’s Secrets of Modern Chess Strategy and does not disappoint. Whether or not you sign up to the complete package of Watson’s chess philosophy, you cannot fail to be instructed and entertained by another substantial collection of well-chosen chess material illustrating aspects of the modern game that most previous text-books have omitted, neglected, mis-interpreted or even distorted.  I’m not going to attempt to summarise the rich and diverse content of this book – just buy your own copy – you won’t regret it.

 

Verdict: “Watson 2” is an essential addition to the library of every serious chess player. *****

 

Chess Tactics for Kids by Murray Chandler, Gambit [www.gambitbooks.com], 128 pages hard-back, £9.99.

 

Some years ago Chandler produced an excellent primer on checkmate patterns, with the slightly unfortunate title of How to beat your dad at chess, (unfortunate since a) there are so many families these days from which the father is absent, and b) a higher than average number of strong chessplayers seem to come from such families).  Nevertheless, the book seems to have sold well, and deservedly, so since the content is excellent. Chess Tactics for Kids uses the same method as the previous book, with schematic examples of each tactical device leading to more complex positions from actual play.

 

Verdict: Good value and highly recommended for juniors and novices. ****

 

A Complete Guide to the Grivas Sicilian by Efstratios Grivas, GAMBIT Publications Ltd. (http://www.gambitbooks.com), 144 pages pages £13.99

Many players like to play Scheveningen-type Sicilians with ...e6 and ...d6, but ever since Paul Keres played 6 g4! against Bogoljubow at Salzburg 1943, the most direct route of 1 e4 c5 2 Nf3 e6 3 d4 cxd4 4 Nxd4 Nf6 5 Nc3 d6 has been fraught with hazards. The enduring strength of the Keres Attack prompted many players, including Kasparov himself, to adopt the Najdorf move order 1 e4 c5 2 Nf3 d6 3 d4 cxd4 4 Nxd4 Nf6 5 Nc3 a6, with the intention of answering 6 Be2 with 6...e6 to reach the desired positions; but playing the Najdorf also involves putting in a lot of work learning how to play against White’s other 6th move options: 6 Bg5, 6 Be3, 6 Bc4, 6 f4 etc. Hence other Scheveningen specialists, such the former candidate Andrey Sokolov, often adopt the move order 1 e4 c5 2 Nf3 e6 3 d4 cxd4 4 Nxd4 Nc6 5 Nc3 d6, when 6 g4 is still playable but has less bite, since there is no Nf6 to hit with the g-pawn; however,  this move order also demands that Black be willing to play in Hedgehog fashion if White plays 5 Nb5 d6 6 c4, setting up a Maroczy Bind and seizing a lot of space. I would say that essentially what we have here in this latest opening guide from GAMBIT is yet another attempt to solve the problem: how to reach playable Scheveningen-type positions, but without allowing the Keres Attack, without having to learn the Najdorf  or learning how to play cramped Hedgehog positions. By playing 1 e4 c5 2 Nf3 Nc6 3 d4 cxd4 4 Nxd4 Qb6, Black is generally able to reach the desired type of position, for instance the main line continues 5 Nb3 Nf6 6 Nc3 e6 7 Be3 Qc7 8 Bd3 d6 9 f4 a6 10 f3 Be7. Black appears to waste time with his queen (...Qd8-b6-c7) but can argue that this is (at least) compensated by the decentralisation of the strong white knight from d4 to the much less active square b3. Grivas claims the right to name the system after himself on the basis that he has played this system for over 20 years in more than 150 official games. But reader beware – this solution also requires study. Indeed I was surprised at how much theory this line has accumulated. Grivas manages to fill thirteen chapters, although many of the game references arrived via different move orders, since some of the positions can also be reached by transposition. This must have been quite nightmarish for the author to sort out, but I find the resulting text clear and well organised. Grivas also supplies twelve of his own wins with the system, with light notes. As usual, the high production values of GAMBIT books are in evidence, in the design, layout, cover and the index of variations. There is also a bibliography, in which Grivas indicates the cut-off point for his research in the two standard sources: Informator and New in Chess Yearbook. This should be standard in all opening books, but unfortunately is not.

 

Verdict: another high-class opening manual from GAMBIT. If you like Scheveningen-centre positions for Black, this could be a very useful route for you to reach them. Recommended. ****

 

Creative Chess Strategy by Alfonso Romero, GAMBIT, [www.gambitbooks.com], 224 large pages, £17.99

 

Spanish GM Alfonso Romero presents us with 16 chapters, each dealing with a positional type or concept. The unifying theme is creativity; as the blurb puts it, “Once they have obtained an advantage, too many players make the mistake of assuming that the exploitation of this advantage will just be a matter of technique, requiring accuracy but little imagination. Romero shows that the opposite is often the case: sometimes it is the paradoxical solution that works, whereas the mechanical method would fritter away the hard-earned advantage”. The material seems to me to be very original and, unlike many chess books these days, the fruit of personal searching and effort.  I own (and have enjoyed) the original Spanish version of this book, but I must say that this GAMBIT publication is much superior in design and production, and is a real pleasure to use.

 

Verdict: an original and fascinating book. Highly recommended. ****

 

Decision-making at the chess-board, by Viacheslav Eingorn, GAMBIT , [www.gambitbooks.com], 208 pages,  £15.99

 

Another new author, another serious, original, thought-provoking chess book -  yes, you guessed, it’s another recent book from GAMBIT. Eingorn is a tough and experienced GM from the Ukraine. The first eight chapter-headings are: Individuality and Style, Tactical Complications, Active Defence, A Feeling for Danger, Incorrect Play, Simple Positions, In Search of an Idea, and Mindswap. The final eight chapters consists of positions for analysis (not solving) and the author’s own findings. Throughout, Eingorn mainly uses little-known examples from his own games, but on occasion he also re-appraises the analysis of others, such as Alekhine and Petrosian. This book is definitely not a pot-boiler – a lot of work has clearly gone into it, and there are a lot of original insights. As with several other high-quality GAMBIT books, this is by no means an easy read, but I am sure that a good number of hours spent in study of such work as this will pay dividends. As usual with GAMBIT publications, the book is well indexed by player and opening and the production values are high.

 

Verdict: another original and high-quality book from GAMBIT. Highly recommended. ****

 

The English Attack by Tapani Sammalvuo, Gambit (www.gambitbooks.com), 272 large pages, £16.99

 

I’ve not heard of the author before (an IM from Finland), but if this, his first book, is anything to go by, he has a great future. This book is just fantastic on every count I can think of:  design and lay-out, balance of analysis and verbal explanation, depth of research, original analyses and (re-) assessments; and user-friendliness, despite the daunting size and complexity of the topic. I delved at several points to see what the author had to say about the lines that I already know most about; I was not disappointed – the coverage was good, and there were tips and explanations and original suggestions. If you are interested in playing either side of this popular line, you just have to get this book, which immediately takes pole position in books on the English Attack, leaving even De la Villa’s excellent “El Ataque Inglés” struggling to compete.

 

Verdict: sets new standards for opening books. Highly recommended. *****

FOUNDATIONS OF CHESS STRATEGY by Lars Bo Hansen, GAMBIT Publications Ltd. (http://www.gambitbooks.com), 176 large pages, £15.99

The subtitle is “Applying Business Methods to Chess Preparation and Training” (which will surely put off as many chessplayers as it attracts!). Lars Bo Hansen is a grandmaster and former Champion of Denmark who also happens to lecture on business and management, so, guess what, he tries to show how aspects of management theory can be usefully applied to chess. The material is divided into eight chapters: What is Chess Strategy? The Factors Shaping Chess Strategy; The Opponents: the role of the human factor in chess; Characteristics of Reflectors; Characteristics of Theorists; Characteristics of Pragmatics; Characteristics of Activists; Environmental Factors.

The bulk of the book consists of the four “characteristics” chapters. Hansen suggests that chessplayers can be loosely divided into Reflectors, Theorists, Pragmatics (ouch) and Activists. [In the UK this classification is best known in the field of “learning styles”.]

i.                    Reflectors - have strong intuition, good sense of piece/pawn coordination and use calculation sparingly, e.g. Capablanca;

ii.                  Theorists - systematic players with wide chess “culture”, good knowledge of theory but with strong ideas of their own, e.g. Botvinnik;

iii.                Pragmatics [this should be 'pragmatists'; pragmatics is the name of a field in linguistics] - good calculators, often very materialistic, not held back by notions of “theory”, e.g. Korchnoi;

iv.                 Activists – enterprising, risk-talking, very reliant on a good feel for the initiative, at home in positions of material imbalance, especially good at faster time limits, e.g. Tal.

Such classifications can only ever be approximate, of course, but can provide a useful lens through which to view a range of approaches to chess and the associated strengths and weaknesses. Despite my initial scepticism, I found Hansen’s discussion of these issues very interesting. Of course, he illustrates his ideas with many examples from players’ games, so the treatment is by no means an abstract one; believe me, there is a lot of well-commented chess in this book! The final chapter on “Environmental Factors” deals with matters that can affect chess decision-making, such as the time-limit, the tournament situation, the opponent’s “chess background”, the type of event, the impact of time-pressure. As usual with GAMBIT, the book is well-produced and pleasant to work with, and there is a useful list of players and an index of openings.

Verdict: In this age in which it often seems that there is too much data and not enough information, it is nice to come across a book that has some originality and that can make you think about chess in a new way.  Recommended. ***(*)

French: Advance and Other Lines, by Steffen Pedersen, GAMBIT Publications Ltd. (http://www.gambitbooks.com), 143 large pages £14.99

The French: Tarrasch Variation, by Steffen Pedersen, GAMBIT Publications Ltd. (http://www.gambitbooks.com), 191 large pages £16.99

Fans of the French Defence should be feeling spoilt; they have a wealth of excellent material to help them, including Psakhis’s authoritative series for Batsford, Watson’s series of repertoire books for Everyman, and the wonderful book on the Winawer by Kindermann and Dirr for Chessgate. Thus these books from GAMBIT enter a very competitive market. The first thing I usually do when reviewing an opening book is to find out whether the author has first-hand experience of his subject. Steffen Pedersen is a Danish IM and an experienced chess author.  However, the number of games in my database in which he plays on either side of the French is quite small, which right away made me think that his assessments might not be as authoritative as those of, say, Psakhis or Watson. However, the more I looked at Pedersen’s two books, the more they rose in my estimation. Of course, they benefit enormously from GAMBIT’s high production values: good design, large pages, double-column layout, lots of diagrams, good organisation, bibliography, index of variations.... However, what really swung it for me is the large number of outstandingly clear and useful explanations that you can find on practically every page. The options and ideas in each variation are explained so well that I feel a lot clearer now about some lines that I have been playing for many years!

Verdict: Despite the strong competition in this field, these books can be recommended to anyone interested in playing either side of the French Defence. They are very suitable for keen club and tournament players, but even quite strong players new to these lines will find very useful instruction. ****

GARRY KASPAROV'S GREATEST CHESS GAMES Vol. 1 by Igor Stohl, GAMBIT Publications Ltd. (http://www.gambitbooks.com), 320 pages, hardback, £22.50

 

With Kasparov having recently announced his retirement, the publication of this book is rather timely, but this handsome large-format hardback has nothing of the “instant book” about it. The Slovakian Grandmaster Igor Stohl is well known for his theoretical knowledge and his conscientious and thoughtful annotations – his previous book for GAMBIT (Instructive Modern Chess Masterpieces) was highly acclaimed. This new collection of 74 annotated Kasparov games uses the same format and seems well up to the same high standard of notes. There is also an insightful seven-page introduction outlining Kasparov’s early career development. Although Kasparov continued to provide the chess world with masterpieces right up to the end of his career, I confess a great fondness for the games from his youth when, for example, he fearlessly played the King’s Indian against all-comers; in fact King’s Indian fans will have a field day here – there are no less than sixteen fantastic examples in Stohl’s book.  The book is well-made and nice to work with, and is well indexed by opponent and opening.

Verdict: Until the maestro himself publishes an update to his own collection of his early games (The Test of Time), Stohl’s anthology will be a more than satisfactory substitute. Very highly recommended. *****

Grandmaster Chess Move by Move, by John Nunn, GAMBIT Publications Ltd. (http://www.gambitbooks.com), 287 large pages £15.99

John Nunn needs no introduction as a chess author. His name is almost synonymous with a high quality product and this final (he retired from tournament play in 2003) collection of his selected annotated games fully lives up to expectations. In my opinion, Nunn’s direct and vigorous play provides a good model for young players, who will find much instruction here. All stages of the games are annotated, and the notes to the openings of some of the games provide almost a tutorial on the variations in question. The games are linked with brief autobiographical detail. The book also contains 25 endgame studies and 18 problems composed by the author (with full solutions) and concludes with two essays, on chess publishing and “The State of the Chess World”; the latter deserves the widest possible dissemination.

Verdict: surely another winner from John Nunn, interesting, highly instructive, thought-provoking, and excellent value at £15.99. A top recommendation. *****

How to beat 1 d4, by James Rizzitano, GAMBIT Publications Ltd. (http://www.gambitbooks.com), 160 large pages £15.99

The history of the QGA is a long and interesting one. It was analysed in some of the very earliest chess texts (e.g. by Ruy Lopez, Damiano and Philidor) and it was used in some of the first matches of the modern era, such as the famous contest between de la Bourdonnais and McDonnel (1834). The first official World Champion Steinitz adopted a version of the QGA in his second match against Zukertort (1886), in which demonstrated some useful ideas for both sides in the handling if Isolated Queen’s Pawn positions. In the period between the death of Steinitz and the First World War, the QGA was condemned by Tarrasch but supported in practical play by such as Rubinstein. The generation of strong players that emerged in the 1930s frequently adopted the QGA, ranging from largely positional players such as Fine and Flohr to aggressive tacticians such as Keres. It was given a strong boost by Alekhine in his 1934 championship match with Bogojubov. The QGA continued to be used intermittently post WW2, peaking in the 1963 World Championship when Petrosian used it successfully to “block” Botvinnik. More recently, the banner of the QGA has been held aloft by many strong specialists such as Rublevsky, Sadler, Yakovich, Ibragimov and Baburin, but probably  the biggest boosts to its reputation have been supplied by Anand (over 70 games!) and, in the last few years before his retirement, Kasparov (16 games), when he was in search of a replacement for his beloved King’s Indian.

As a young player, I remember being strongly advised against playing the QGA, since it was reputed to be a very sophisticated opening that was difficult to play, with an off-puttingly high “infant mortality” rate    as well as conceding to White an early advantage in the centre, Black tends to develop the queenside pieces first in the QGA, with the result that the black king often remains stuck in the centre for longer than in opening such as the Queen’s Gambit Declined, Nimzo-Indian or King’s Indian, and often suffers the consequences. Some of this remains true, but with the help of a good book such as this, the dangers can be minimised and if Black is able to avoid early disasters he will begin to reap the long-term benefits of the QGA: counterplay against the white centre and good play for the pieces, especially the queen’s bishop (Black’s problem piece in most variations of the Queen’s Gambit Declined).

One of the great “missing” chess books, the books that could have been (but never were) written, was probably one on the Queen’s Gambit Accepted by Matthew Sadler, a world-class expert on the QGA before he gave up chess to “get a proper job” and also a very gifted  chess writer. This new book from the American IM James Rizzitano goes a long way to compensate for Sadler’s missing masterpiece. Rizzitano showed how well he can write in his first book Understanding your chess (also for Gambit), essentially a review of his own early career and a careful appraisal of his early games in the 1980s, when he was the scourge of the New England chess scene. His second book is a repertoire for Black based on answering 1 d4 with ...d5, and then answering White’s strongest move 2 c4 with the challenging 2...dxc4; this occupies 84 pages. The bonus for the practical player is that the author then goes on to present (in 52 pages) a set of decent lines for Black against all the other 1 d4 d5 openings that White can (and often does) choose, particularly in the lower levels of chess,  ranging from the solid and respectable (London system, Colle etc..) to the disreputable but popular at club level (Blackmar-Diemer). The material is organised in Gambit’s preferred “tree” structure, rather than “complete annotated games” approach favoured by other chess publishers. While there each format has its pros and cons, I feel that the “tree” format is really the best one for an opening repertoire book, as here, since it makes systematic study that much easier for the reader and there is less chance of important lines being overlooked by the author. However, this book is far from being a mere catalogue of recommended variations; there is a large amount of “added value” from the author in the form of commentary, explanation and revaluation (of previously published assessments). Everywhere there is evidence of the effort and attention to detail that the author has put in. Add in a detailed bibliography and a useful index of variations, and package it all in Gambit’s usual high production values, and the result is a very good-quality opening book of which author and publisher can be proud.

Verdict: an excellent black repertoire book against 1 d4, particularly suitable for strong players and ambitious “improvers”. Highly recommended ****

Improve Your Attacking Chess by Simon Williams, 160 pages, GAMBIT (www.gambitbooks.com), £13.99

 

English IM Williams is known for his aggressive style. Here he provides the reader with 250 test-positions, practising different aspects of the attack on the king. The puzzles are grouped into six thematic chapters, and each position is given a short “scene-setting” introduction.  Full solutions are provided, with both verbal and analytical explanations. There is an index of players.

 

Verdict: excellent practice material on what one of the most enjoyable aspects of chess – the attack on the king. Recommended. ****

 

Improve your Positional Chess by Carsten Hansen, 192 large pages, Gambit (www.gambitbooks.com), £14.99

 

By means of numerous examples, mostly taken from modern games, the author reviews important elements of position-play. There are also some test-positions for the reader. The material looks pertinent and interesting and I am sure that working through it slowly and thoughtfully will surely raise the reader’s level of positional understanding. Not being a strong player myself, I can’t really vouch for the “security” of Hansen’s judgements; which brings me to a slight worry – with this much positional understanding, how come Hansen is not at least an IM? There is an index of players and the usual Gambit high production values are evident throughout. Two reputedly important authors are conspicuous for their absence from the otherwise extensive bibliography: Jeremy Silman and Josif Dorfman.

 

Verdict: Stronger players than I will have to make the ultimate judgement of its quality, but this is seemingly a well researched and interesting text book on positional chess.

 

Learn Chess Tactics by John Nunn, 160 large pages, GAMBIT, £12.99

 

It is becoming generally accepted that “the quickest way for most players to achieve better results is to improve their tactical ability”, as Nunn says in the Introduction. Happily there are now many decent tactics books on the market – what the reader tends to find, however, is that many books recycle the same hackneyed examples. Nunn has tried to present fresh material “by deliberately steering clear of well-known examples and focusing on positions which are recent enough not to have appeared frequently in print. I have also avoided esoteric examples featuring themes of limited practical importance; this book focuses on ideas which occur time and time again and which are bound to arise in readers’ games sooner or later”. As you would expect with a book from this author, the material is organised logically and clearly. There are fourteen chapters, each based on a particular tactical device, such as the Fork, Back-Rank Mate, etc. Each chapter starts with some explanatory material, followed by some graded exercises. There is also a gradual increase in difficulty as the book progresses. The answers are separate from the tests (this should be automatic, but is not always the case in such books!) and there is an index of players. As usual with GAMBIT books (www.gambitbooks.com), the production values are high.

 

When I was a junior, I learnt from the classic tactics book “Winning Chess” by Chernev and Reinfeld. I have been waiting for a long time for a modern equivalent that I could recommend to my students. I strongly suspect that this is it.

 

Verdict: There is every sign that this will become a modern classic of the genre. Highly recommended – and not just to novices! Good value for money. ****

MASTERING THE NAJDORF by Julen Arizmendi & Javier Moreno, GAMBIT Publications Ltd. (http://www.gambitbooks.com), 224 pages £15.99

The authors, both titled players from Spain, seem to have achieved the difficult task of putting together a viable Najdorf repertoire for Black within the space of one handy-sized book. Why the Najdorf? Well, someone once said that the Najdorf is the Rolls-Royce of chess openings; it has been the single most popular variation of the Sicilian since about 1950, and it has been the weapon of choice of many top GMs, such as Fischer and Kasparov. As the blurb says, “The Najdorf's landscape changes rapidly, and this presents its devotees with a complex task: they must not only keep up-to-date with sharp theoretical lines, but must also have a firm grasp of the strategies that underpin the main systems, both old and new. This book lends a helping hand to those who play the Najdorf or wish to take up this complex opening. Two Najdorf experts from Spain present a flexible repertoire for Black, including a wealth of original analysis of the critical variations. They also explain the key ideas behind the Najdorf, focusing on those plans that are most relevant to modern practice.“

I first saw this book in its excellent Spanish edition and snapped it up. If anything, this English edition for GAMBIT is even better. The translation generally reads well, and the production values are very high, as we have come to expect from GAMBIT. There is a bibliography and an index of variations. Unusually for GAMBIT, the material is based round complete games, so an index of players would have been useful. Note that is not a complete study of the Najdorf – the authors have selected a repertoire for you. For the most part, the chosen variations seem to be main lines with a good track record, although I suspect that not all players will be comfortable with the authors’ recommended line against 6 Bg5: 6...e6 7 f4 Qc7, allowing doubled f-pawns, after which Black will always have some anxiety regarding king-safety.

Verdict: if the Najdorf is your defence, then you must have this book. Highly recommended. ****

Modern Chess Analysis by Robin Smith, 176 large pages, GAMBIT, £15.99

 

Robin Smith, a very strong correspondence chess player, shares his considerable knowledge and experience of using chess-playing programmes to analyse chess positions. There are many fascinating and potentially useful insights into the relative strengths and weaknesses of human and computer thinking. As usual with GAMBIT books (www.gambitbooks.com), the production values are high and, although there is little wasted space, there is no skimping on diagrams or indices.

 

Verdict: practically all serious chess players now use chess programmes in training, analysis or preparation. A study of this pioneering book should help make your own work with the computer more effective. ****

 

Play the Sicilian Dragon by Edward Dearing, Gambit (www.gambitbooks.com), 256 pages, £15.99

 

I have several club colleagues who have been awaiting eagerly the publication of this book, and who are insanely jealous that I have a review copy. Just why is the Dragon so popular among club players? I even know some who haven’t played it since their junior days, but who nevertheless maintain an interest in how this opening is faring theoretically. Part of the magic of the Dragon probably resides in the romance of the name itself. The way it just seems to keep bouncing back from each claimed “refutation” is also attractive. Many of the old Soviet coaches taught the Dragon to whole generations of juniors, since the basic ideas are easy to teach and learn, and the typical Dragon middle-games with opposite sides castling opening provide ample practice in tactics and calculation. OK, now for the downsides: although the Sicilian as a whole has been the most popular defence against 1.e4 since World War 2, there are in fact very few professional players who have the Dragon variation as their front-line weapon; why is that? It can’t just be the amount of theory involved, since this is easily dwarfed by the amount required to be able to play the Najdorf, for instance. Here are some possible factors: play for both sides in the Dragon is actually severely constrained, even stereotyped; although there is apparently endless scope for home-cooked improvements, there is very little room for strategic subtlety or creativity – it can begin to feel like the chess equivalent of painting by numbers;  in the Dragon, a master can easily lose as Black to a much lower-rated player who happens to be “packing” the latest theory – there is little margin for error, and little scope for the master to outplay his weaker opponent strategically. OK – what about this book? Well, my first impression is that it is a great piece of work by Dearing; in this, his first book, it’s clear that it’s been something of a labour of love and that he’s set out from the first to produce something he himself could be pleased with. Bring together Dearing’s diligence and subject-knowledge (he has played and studied the Dragon for years) with the expertise and high production values of the Gambit team, and the reader is the winner.

After a useful introduction, Dearing sets out the material in 21 chapters. It is written with Black in mind, but is much more objective than e.g. Ward's books. Whilst “recent-breaking” developments such as the Topalov and Chinese variations are touched upon, and Ward’s old favourite line with ...Qa5 and ...Rfc8 is also examined, most attention is devoted to the lines that seem to have the best pedigree:

1.e4 c5 2.Nf3 d6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 g6 6.Be3 Bg7 7.f3 0-0 8.Qd2 Nc6 and now:

9.Bc4 Bd7 10.0-0-0 Rc8 11.Bb3 Ne5

12.h4 h5 (Soltis variation) but if 12.Kb1 Re8!?

9.0-0-0 d5 (9...Nxd4 and 9...Bd7 are also covered) 10.exd5 Nxd5 11.Nxc6 bxc6 12.Bd4 e5 13.Bc5 Be6 14.Ne4 Re8

And of course all other reasonable White systems against the Dragon are covered as well, but inevitably in far less detail.

There is plenty of verbal explanation and lots of original analyses and assessments. I particularly like the way the author tends to deal first with White’s most “cave-man” approaches to the problems of each variation.

As usual with Gambit books, there is a useful index of variations and a bibliography, with an indication of the cut-off point for the research. There is no index of players’ names this time though, since the book uses a tree structure rather than being built round complete games.

 

Verdict: this book now takes over from Golubev’s Easy Guide to the Dragon as the most authoritative reference on the Dragon. Highly recommended. *****

Secrets of Attacking Chess, by Mihail Marin, GAMBIT Publications Ltd. (http://www.gambitbooks.com), 192 large pages £16.99

Marin is a strong and active grandmaster from Romania who is beginning to acquire a good reputation as a chess writer. His previous books in English Secrets of Chess Defence for GAMBIT and Learn from the Legends (Quality Chess) were very well received. There are seven chapters here (perhaps “essays” would be a better word): the logical course of the game: the spark of the attack; the elementary stages of the general plan; advantage in development; play on two wings; the secrets behind Morphy’s successes; the paradox of the century; a chess-player’s best friend?! Personally I find this book quite difficult to review, partly because it is hard to categorise – it is a meditation on attacking play rather than a text-book -  and partly because I found it quite “stretching”. The material is essentially close examination of various “attacking” games and positions, involving discussion of a large number of factors, both objective and subjective. That may sound off-putting, but the material is actually very interesting. I found the chapter “the paradox of the century” of particular interest, since it examines the rivalry between the great attacker Tal and the great defender Korchnoi.

Verdict: very interesting and original material that will provide much food for thought. Highly recommended. ****

UNDERSTANDING THE CHESS OPENINGS by Sam Collins, GAMBIT Publications Ltd. (http://www.gambitbooks.com), 224 large pages, £16.99

Irish IM Sam Collins takes on the daunting task of surveying ALL the chess openings in one volume, not in tabular form but with copious verbal explanations. How well does he manage this? Well, inevitably there is a large degree of superficiality, since he often finds himself limited to less than a page to cover openings that have had complete books devoted to them! On the other hand, for a young and relatively inexperienced player, he exhibits a broad chess culture, and he often uses brief but highly apposite quotations from other strong players where these serve his explanatory purpose. His own comments are clear and helpful, and he does not mince words; I particularly relished this on the Blackmar-Diemer Gambit: “Nobody who plays good chess plays this line, and nobody who plays good chess ever will”. Unsupported dogmatism? What would John Watson think?! But Collins is careful to offer some specific moves in support of this contention, and useful explanation, e.g. “One of the flaws of White’s concept is that he is relying exclusively on piece-play without pawn breaks, and this makes his life much harder.” The book has the usual high production values that we associate with GAMBIT, and has a detailed index of variations.

Verdict: a good effort from Sam Collins. Probably most useful for players up to about 150 BCF (2000 FIDE).  ***

Understanding the King’s Indian: by Mikhail Golubev, GAMBIT Publications Ltd. (http://www.gambitbooks.com), 207 large pages £15.99

The KID is quite unfashionable at the moment; its drop in the ratings can be attributed to three factors: a) Kasparov’s problems as Black against Kramnik and his  eventual abandonment of the KID in the late 1990s; b) specific problems in some lines, notably the Bayonet Attack against the Classical system; c) a gradual shift amongst the strongest players in the last decade or so away from defences that concede space, along with a growing feeling that such defences are really not quite “correct”. This is not new of course; it could be seen in the writings of say Botvinnik or Fine in the middle of the last century; I also recall Larsen expressing the same opinion in the 1970s, and it seems that Korchnoi never had a high opinion of this defence either. Yet as long as there was a steady stream of brilliant games and impressive results from the long and distinguished line of KID exponents that included Boleslavsky, Bronstein, Geller, Gligoric, Tal, Stein, Fischer and Kasparov (closer to home, I can recall some wonderful KID games played by Jonathan Mestel and John Nunn), the critical voices were largely ignored.and the KID remained popular at all levels of chess. In the last few years the Slav (of all things) has been more popular than the King’s Indian, and I think chess has been the poorer for it. This may change, of course, if a KID player gets close to the World Championship – at the moment, Radjabov seems the best hope for this. Meanwhile, I take heart from the statistics, which show that in recent years the KID has been scoring no worse than average for Black.

One of the first things I look for when reviewing an opening book is: does the author play this opening? Well that’s no problem here: Mikhail Golubev is a dedicated career-long King’s Indian player, and indeed the book is based almost entirely on his own extensive experience with this opening. There are 56 main games, grouped according to variation, with many others mentioned in the notes. There is plenty of verbal explanation and lots of original analysis. Also the author’s enthusiasm for this opening really show through!

Verdict: Golubev’s inspiring work deserves to take its place, alongside Gallagher’s excellent King’s Indian books, on the shelf of aggressive players everywhere.

Understanding your chess by James Rizzitano, 192 large pages, GAMBIT, £15.99

 

Rizzitano (born 1961) was one of the strongest American juniors of his generation, gaining the IM title before gradually abandoning chess for a career in the software industry. “The idea for this book hatched when I was contemplating a return to competitive chess after ‘a year off’ had stretched into a 14 years absence’, Rizzitano tells us in the Introduction. He has re-analysed more than sixty of his early games, against opponents of various strengths, and the book presents the reader with what the author hopes will be relevant lessons. Many authorities stress the usefulness of analysing your own games as one of the most important ways to increase your chess strength – Rizzitano presents us with a collection of good examples of how to do it. He seems honest and thorough, he has checked his finding with Fritz, and he shows how to draw appropriate conclusions from such analytical work – there is a summary after each game. Obviously the book would have more ‘cred’ if the author were still an active player, but you can’t have everything. As usual with GAMBIT books (www.gambitbooks.com), the production values are very high, the games are indexed by player and opening, and there is a detailed bibliography.

 

Verdict: a fine collection of instructively annotated games, many previously unpublished.

 

Win with the London System, by Sverre Johnsen and Vlatko Kovacevic, GAMBIT Publications Ltd. (http://www.gambitbooks.com), 176 large pages £14.99

It is unusual for GAMBIT to publish a book on a non-mainstream opening, so I was quite interested to see what might have led them to issue this work on what is generally regarded as a rather tedious and unambitious line for White. For a start, the pairing of the authors is unusual: the Norwegian Johnsen is what we Brits used call a “county-level” player, current FIDE rating 2162 – the book was his idea, and he has done most of the donkey-work; his co-author Kovacevic is a Croatian GM and an acknowledged expert on this opening – he helped select and analyse the illustrative games and helped “finish” the product.

Originally the name London System referred specifically to a solid set-up against the King’s Indian played several times at the London 1922 tournament; it was soon overtaken by more aggressive approaches with White, but London System became the accepted name given to the white opening scheme involving the moves d4 and an early Bf4, usually in connection with an unambitious deployment of the c-pawn to c3 (rather than c4) and the e-pawn to e3 (rather than e4).

The traditional move order, following Lasker’s precept of “knights before bishops, is 1 d4, 2 Nf3, 3 Bf4; the finesse advocated in this book is first to develop the “London bishop”, on the second move (which is known in some circles as the Mason Attack). It is claimed (page 65)  that there are some advantages to this; for example it enables White to answer the otherwise annoying 2...c5 with 1 d4 d5 2 Bf4 c5 3 e4!? dxe4 4 d5, resulting in an Albin Counter Gambit Reversed (!) with a useful extra tempo for White. I should add that this sharp line is far from typical of the system generally, the strategy of which is characterised (page 12) as one of “central control rather than central activity”.

The format of the book is unusual; the first large section consists of thirty illustrative games, designed to explain the basics and give a feel for the main features of the system; after each game there is a short summary entitled “Lessons to be learned” – I liked this feature very much. There follows a detailed “Analytical Section” (pages 63-173). As far as I can tell, all reasonable Black set-ups against the London system are covered. Thus the book combines the features of the traditional GAMBIT “tree” approach with EVERYMAN’s preferred “complete games” format. The material is indexed by player and variation and the usual high production values of GAMBIT books are evident. The text reads well and I believe the whole package should appeal not only to club players but also to stronger players, for instance those with limited study time or who need a solid second-string for White.

Verdict: a model exposition of a sound and practical, albeit rather unambitious, opening system for White. Highly recommended. *****

50 Essential Chess Lessons: by Steve Giddins, GAMBIT Publications Ltd. (http://www.gambitbooks.com), 159 large pages £14.99

When I first started being interested in chess, the first books I came across in my local library were two collections of games annotated by an American, Irving Chernev: Logical Chess – Move by Move, and The Most Instructive Games of Chess Ever Played. I learned a lot from these books, particularly about the basics of classical theory. I bought my own copies and for quite a log time I continued to recommend them to colleagues and (later) students. But for many years now these books have been gathering dust on my shelves. The problem is not so much that they use the descriptive notation (I think everyone should be “bilingual” in this respect) but that chess has moved on, and what we expect from a chess book has also changed.  I still think that collections of well annotated games can be a very useful means to improve your game, but now I find that Chernev’s writing is on the one hand far too dogmatic and on the other not rigorous enough. It seems that Steve Giddins too was inspired and then gradually disillusioned by Chernev, but he has actually done something about it; he has chosen fifty instructive games played between the 1930s and the present day, and annotated them à la Chernev, i.e. with extensive verbal comments and relatively few variations, but from a modern standpoint. He has also moved beyond Chernev in structuring the didactic content more systematically, by grouping the games into thematic sections (Attacking the King, Defence, Piece Power, Pawn-structure, Endgame Themes) and by providing a summary after each game (The Essential Lessons). I liked the choice of games, which includes many that I am sure will be new to the reader.

Verdict: Amid the recent flood of chess books, this one stands out as being one that can be heartily recommended to anyone seeking both entertainment and instruction on wide variety of chess topics in one volume. Would make a good present, say for a keen (and literate) junior.

365 ways to checkmate, by Joe Gallagher, 208 pages, Gambit (www.gambitbooks.com), £13.99

 

First reaction is “huh, another puzzle book”. Second reaction is “hey, it’s by Gallagher – let’s take a closer look” – because by now it’s reached a point where, such is the consistently high level of his work that “Joe Gallagher” is no longer an author’s name any more – it’s become a brand. Here he presents us with 365 puzzles, graded into five levels of difficulty, with a hints section, well-explained answers in the back of the book, plus a combined glossary of terms/index of themes. Combined with Gambit’s high production values, what we have is yet another high-quality product from Gallagher.

 

Verdict: an excellent tactics book – highly recommended. *****