CONTINUED from Part 1
Part of the reason that these live reviews - if you can call them that - are in this section as opposed to the normal concert reviews section, will become pretty obvious the moment you start reading them, since, for some bizarre reason, most of the gigs seemed to revolve around some very bizarre goings on - so, settle back and, while you might not actually get much out of this in live review terms, it doesn't half make jolly reading!!
It took Dundee indie legends Hennisi a long time to recruit a new bassist and get back into action. A low-key gig in the summer proved that they were more than ready, and this was now only the second gig in 2006 - ironically as a finale for the bassist, Dave, who's leaving the band temporarily. So, to an enthusiastic, packed Satchmo's crowd, Hennisi's Cath on drums, Don on vocals, Dave on bass and Michael on guitar played what can only be described as a stunning set. With Don as the animated, energetic and fired-up vocal tour-de-force, Cath laying down some storming drum patterns and sensational cymbal work, while Michael was flying out everything from power chords to Fripp-esque cutting-edge solos as Dave laid down the foundations for all this to work, you saw in action as individual and as classy a Dundee indie band as you'll see. I couldn't help thinking that, if there was one band around here made up of largely older musicians compared with the younger bands, to which the younger and unique bands could aspire, it's Hennisi. Through a steaming set of originals that included new and old material, of which one track - the first I ever saw the band play around 2 or 3 years back - sounded every bit as powerful, intricate and fresh as it did back then. Their live favourite "Bubblegum Rock" with its many twists and turns, simply powered out and took on a whole new lease of life. We've definitely not seen the last of this band - and you'd be so advised to catch them next time - whenever that is.
Before that, Paula Knight had been specially invited to play an acoustic set. Looking great, she sat down and played a 40 minute set of originals and covers to a strongly enthusiastic and listening audience. "Lady Of Rage", the old Same Differents fave, was the best acoustic version I've heard her do, while her cover of Kelly Clarkson's "Since You've Been Gone" still sounds just brilliant in her hands. A brand new song, written only a few days ago, was stunning with its cascading vocal chorus and immediately accessible structure, while throughout her guitar work was heartfelt, strong and full sounding. A great set from one of the best female musicians, singers and composers in Scotland, never mind Dundee.