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The Life of Dylan Thomas Eric Gill Autobiography Christopher Plantin The Apprenticeship of Ernest Hemingway Joyce: the Man, the Work, the Reputation
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Quod ore sumpsimus
Eric Gill's Autobiography was published in
December 1940, one month after his death at the age of fifty-eight. The
book soon became a best-seller and was reprinted eleven times during the
five years of World War II.
Gill proved to be one of Britain's most versatile
artists during the first half of this century. He left his mark both
within England and abroad in the fields of sculpture, wood-engraving,
typography and design. His typefaces, such as Perpetua and Gill-Sans
serif, are still widely used today.
Although his Autobiography has for many years been
the main source of information regarding his life and work, several
biographies have, during the last decades, shed an interesting light on
the life of this extraordinary artist and craftsman. Robert Speaight's Life
of Eric Gill appeared in 1966, to be followed by Donal Attwater's, A
Cell of Good Living, three years later. However, interest in the
life and work of Eric Gill has not waned and his Autobiography remains a
most important record of the life and work of an artist whose influence
is still visible today.
As Eric Gill wrote to his publisher Jonathan Cape
in 1933: "I very much doubt whether you would dare to publish what
I should dare to write for I do not see how my kind of life, which is
not that of a big game hunter, could be written without intimate
details."
ISBN 1-870495-13-6 £18.50 |
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