ANDERSON NICHOLAS

Publications from Alamire – review
Issue 15 (Spring 1998) pp.31-32.

BARTLETT CLIFFORD

Censorship
Issue 6 (Autumn 1993) pp.13-15.

Early music on the air
Issue 1 (Jan.1991) pp.4-5.

Editing Monteverdi's Vespers
Issue 2 (Jul.1991) pp.6-8.

Finding music
Issue 5 (Jan.1993) pp.16-18.

Hymns and anthems
Issue 7 (Spring 1994) pp.10-12.

Scipio engulfed: notes from an editors diary
Issue 4 (Jul. 1992) pp.6-7.

Transposing Choral Music
Issue 3 (Jan.1992) pp.14-16.

BENSKIN CRISTA

Diana Poulton (1903-1995): an appreciation
Issue 11 (Spring 1996) p.27.

BURTON ANTHONY

Early music on the air
Issue 2 (Jul.1991) pp.13-14.

BUTTREY JOHN

Peter Holman: Henry Purcell – review
Issue 10 (Autumn 1995) pp.27-28.

BYRT JOHN

Quantz's Solfeggi: a unique document
Issue 16 (Autumn 1998) pp.6-15.

CALLAN GUY

The commedia dellarte as baroque culture: Concezione e figura
Issue 13 (Spring 1997) pp.10-18.

CAMPBELL MARGARET

Carl Dolmetsch 1911-1997 – obituary
Issue 13 (Spring 1997) p.28.

DOBBINS FRANK

Introduction to the repertory: the sixteenth-century chanson
Issue 3 (Jan.1992) pp.6-7.

DOLMETSCH CARL

The Elizabethan Fever: a follow-up
Issue 8 (Autumn 1994) pp.26-27.

FITCH FABRICE

About Cantus cantici canticorum I
Issue 14 (Autumn 1997) pp.12-13.

FREEMANOVÁ MICHAELA

A letter from Prague
Issue 5 (Jan.1993) pp.8-10.

GARRISON HELEN

From Fazakerley to fortepianos: Helen Garrison talks to Paul Nicholson
Issue 14 (Autumn 1997) pp.2-5.

Owen Rees – a view from the soprano line
Issue 16 (Autumn 1998) pp.2-5.

Oxford Voice Symposium 27-8 April 1991
Issue 2 (Jul.1991) p.18.

A view from the sofa: the Palladian Ensemble
Issue 12 (Autumn 1996) pp.2-5.

A Yank at Oxford: David Skinner musicologist and co-director of the Cardinalls Musick talks to Helen Garrison
Issue 11 (Spring 1996) pp.2-6.

GILES PETER

Book reviews or Who can tell how of the offendeth?
Issue 16 (Autumn 1998) pp.34-38.

Surely boys should be boys?
Issue 12 (Autumn 1996) pp.14-16.

GORING PAUL

B for Broomstick? A consideration of Aaron Hills “revolutionary” acting theory
Issue 13 (Spring 1997) pp.19-23.

GRAUBART MICHAEL

A Purcellian note
Issue 11 (Spring 1996) pp.10-11

HEILBRON ANNETTE

Early keyboard fingerings: a comprehensive guide (Lindley/Boxall) – review
Issue 6 (Autumn 1993) pp.16-17.

HILL SIMON

Further on counter-tenors
Issue 16 (Autumn 1998) p.38.

Further on pitch
Issue 4 (Jul. 1992) pp.8-10.

Peter Giles: The History and Technique of the Counter-Tenor – review
Issue 14 (Autumn 1997) pp.23-27.

The Purcell Experience 20-21 November 1993 Queen Elizabeth Hall – review
Issue 7 (Spring 1994) pp.23-24.

HOCKING CATHERINE

The Eton Choirbook: an introduction
Issue 9 (Spring 1995) pp.7-9.

HOLDEN POPPY

Anonymous reveald: the members of Anonymous 4 talk to Poppy Holden
Issue 9 (Spring 1995) pp.2-4.

Forte e piano: Richard Burnett fortepianist talks to Poppy Holden
Issue 10 (Autumn 1995) pp.2-5.

Forty years on the fiddle: a profile of Catherine Mackintosh
Issue 7 (Spring 1994) pp.2-4.

New Thoughts About Old Music: a colloquium on early music in memory of Michael Morrow 20 July 1995
Issue 10 (Autumn 1995) pp.32-34.

A profile of Anthony Rooley
Issue 6 (Autumn 1993) pp.2-3.

A profile of Harry Christophers
Issue 5 (Jan.1993) pp.2-4.

A Shropshire Lad: an interview with Nigel Rogers
Issue 8 (Autumn 1994) pp.2-4.

HORTON PETER

Wesley anthems – letter
Issue 8 (Autumn 1994) p.28.

INGLEHEARN MADELEINE

Guglielmo Ebreo: On the Practice or Art of Dancing (ed. Barbari Sparti) – review
Issue 11 (Spring 1996) pp.29-30.

The proper carriage of the arms
13 (Spring 1997) pp.3-8.

The Purcell Experience 20-21 November 1993 Queen Elizabeth Hall – review
Issue 7 (Spring 1994) pp.23-24.

KIEK JENNIFER

The Marriage of Music and Dance: Conference Report
Issue 3 (Jan.1992) p.17.

KILLINGLEY FRANCES

Further on the counter-tenor
Issue 15 (Spring 1998) pp.33-34.

KITE CHRISTOPHER

The art of the unmeasured prelude for harpsichord: France 1660-1720
Issue 5 (Jan.1993) pp.19-21.

LAKIN-THOMAS DUANE

John Solum with Anne smith: The Early Flute – review
Issue 10 (Autumn 1995) p.30.


Reading renaissance facsimiles
Issue 9 (Spring 1995) pp.20-24.

LAWSON COLIN

The early clarinet in theory and practice
Issue 10 (Autumn 1995) pp.6-9.

Leading Questions:
Michelene Wandor interviews NEMA Chairman Christopher Page
Issue 1 (Jan.1991) pp.2-3.

Lindsay Kemp talks to Emma Kirkby
Issue 2 (Jul.1991) pp.2-5.

Sarah Roberts talks to Bill Hunt one of the founding members of the consort Fretwork
Issue 3 (Jan.1992) pp.2-5.

LOSSEFF NICKY

A thirteenth-century English motet
Issue 6 (Autumn 1993) p.8.

Issue 1 - January 1991, Issue 2  - July 1991
Issue 3  - January 1992, Issue 4  - July 1992
Issue 5  - January 1993, Issue 6  - Autumn 1993
Issue 7  - Spring   1994, Issue 8  - Autumn 1994
Issue 9  - Spring   1995, Issue 10  - Autumn 1995
Issue 11  - Spring 1996, Issue 12  - Autumn 1996
Issue 13  - Spring 1997, Issue 14  - Autumn 1997
Issue 15  - Spring 1998, Issue 16  - Autumn 1998

MEZGER MARIANNE

International Recorder Symposium 27-30 August 1993 Utrecht
Issue 7 (Spring 1994) pp.26-28.

Performance practice for recorder players
Issue 7 (Spring 1994) pp.13-16.

MILSOM JOHN

John Harley: William Byrd Gentleman of the Chapel Royal – review
Issue 14 (Autumn 1997) pp.27-28.

MOODY IVAN

Ambrosio Cotes: Mortuus est Philippus Rex
Issue 15 (Spring 1998) p.20.

Musical inserts:
Anon: Agnus Dei
Issue 9 (Spring 1995) pp12-13.

Anon: Deduc Syon uberrimas
Issue 10 (Autumn 1995) pp.17-20.

Anon: Mirabilis Deus - Ave Maria - Ave Maria
Issue 6 (Autumn 1993) pp.9-12.

Byrd: O Lord how vain
Issue 3 (Jan.1992) pp.10-13.

Charpentier: Suite in d minor
Issue 5 (Jan.1993) pp.11-14.

Cotes: Mortuus est Philippus Rex
Issue 15 (Spring 1998) pp.21-24.

Fayrfax: Gloria from Missa Tecum Principium
Issue 11 (Spring 1996) pp.14-18.

Fitch: Cantus cantici canticorum I
Issue 14 (Autumn 1997) pp.14-16.

Guerrero: Duo Seraphim
Issue 1 (Jan.1991).

Mondejar: Ave Rex Noster
Issue 12 (Autumn 1996) pp.9-12.

Moritz Landgraf of Hessen: Intrada a 6; Pavana deccelio a 5 stromenti diversi
Issue 2 (Jul.1991).

Morton: Le souvenir de vous
Issue 4 (Jul. 1992) p.23.

Ockeghem: Ma bouche rit
Issue 4 (Jul. 1992) pp.11-14.

NELSON BERNADETTE

Philip II and the Portuguese royal chapel 1580-98
Issue 15 (Spring 1998) pp.14-19.

NEWSHOLME RICHARD

Thomas Tomkins: some reflections on his personality
Issue 9 (Spring 1995) pp.14-18.

Thomas Tomkins II: domestic life at Worcester
Issue 10 (Autumn 1995) pp.22-25.

NOONE MICHAEL

Philip II and musical patronage at the Escorial
Issue 15 (Spring 1998) pp.9-13.

OREGAN NOEL

Victoria in Rome
Issue 15 (Spring 1998) pp.26-30.

PAGE CHRISTOPHER

Breeding lilacs out of the dead land: the importance of early music in 2001
Issue 12 (Autumn 1996) pp.6-8.

Colloquium on “Le Roman de Fauvel: Chronicle Allegory Music and Image in Paris B.N.f.fr.146” Paris Université de Paris-Sorbonne 11-13 July 1994
8 (Autumn 1994) pp.22-24.

David Fenwick Wilson: Music of the Middle Ages – review
Issue 6 (Autumn 1993) pp.19-20.

Deduc Syon uberrimas
Issue 10 (Autumn 1995) pp.14-15.

Introduction to the repertory: the trobadors
Issue 1 (Jan.1991) pp.10-12.

Michael Morrow 2 October 1929 - 20 April 1994 – obituary
Issue 8 (Autumn 1994) pp.24-25.

A view of the “waning” Middle Ages
Issue 4 (Jul. 1992) pp.20-22.

PAYNE IAN

Some aspects of continuo realization – England c.1700: William Williams William Croft and Henry Purcell
Issue 16 (Autumn 1998) pp.22-32.

POESIO GIANNANDREA

Mime in late eighteenth-century ballet
Issue 13 (Spring 1997) pp.24-27.

RAST NICHOLAS

Schubert's F minor Fantasy D940 and the Countess Caroline Esterhazy – a coded declaration of love?
Issue 14 (Autumn 1997) pp.17-22.

ROBLOU DAVID

Christopher Kite 5 November 1947 - 15 June 1994 – obituary
Issue 8 (Autumn 1994) p.25.

ROCHE ELIZABETH

Elizabethan fever: a 1920s early-music “boom”
Issue 7 (Spring 1994) pp.5-9.

ROWLAND-JONES ANTHONY

Carl Dolmetsch – letter
Issue 14 (Autumn 1997) pp.28-29.

David Lasocki with Roger Prior: The Bassanos: Venetian Musicians and Instrument Makers in England 1531-1665 – review
Issue 10 (Autumn 1995) pp.28-30.

Let your imaginary forces work
Issue 14 (Autumn 1997) pp.7-11.

SIMMONDS PAUL

European Recorder Teachers Association Conference Little Benslow Hills 31 May 1994
Issue 8 (Autumn 1994) pp.18-22.

The First International Clavichord Symposium 9-11 September 1993 Magnano Piedmont
Issue 7 (Spring 1994) pp.21-23.


The Polonaises of Wilhelm Friedemann Bach
Issue 8 (Autumn 1994) pp.11-17.

Was der Generalbass sey: a report on the basso continuo symposium in Basle 22-6 March 1993
Issue 6 (Autumn 1993) pp.17-19.

SKEAPING J.M

The lira da braccio: a players manual
Issue 16 (Autumn 1998) pp.16-21.

SLAVIN DENNIS

Introduction to the repertory: the fifteenth-century chanson
Issue 4 (Jul. 1992) pp.2-5.

SUMMERLY JEREMY

Companion to Medieval and Renaissance Music (Knighton/Fallows) – review
Issue 7 (Spring 1994) pp.18-21.

The English cadence
Issue 11 (Spring 1996) pp.7-9.

Fazer Editions of Early Music – review
Issue 10 (Autumn 1995) pp.30-32.

THOMAS BERNARD

Original instrumentation in a German manuscript of around 1600
Issue 2 (Jul.1991) p.9.

THOMSON JOHN M

Alan Frank 10 October 1910 - 23 June 1994 – obituary
Issue 8 (Autumn 1994) pp.25-26.

Margot Leigh Milner 1911-1995 – obituary
Issue 10 (Autumn 1995) pp.26-27.

TURBET RICHARD

Byrd and Tomkins: the Great Service revisited
Issue 9 (Spring 1995) pp.10-11.

TURNER BRUNO

The Descent to Toledo or how the Blessed Virgin came to reward St Ildephonsus in the year AD 66 and how Alonso Lobo celebrated it around 1600
Issue 3 (Jan.1992) pp.8-9.

Enriching the choral repertoire
Issue 6 (Autumn 1993) pp.4-6.

Glimpses of P-Rex: aspects of the gentle art of music in the reign of Philip II
Issue 15 (Spring 1998) pp.2-8.

Goodbye Columbus!
Issue 5 (Jan.1993) pp.5-7.

A matter of chants
Issue 2 (Jul.1991) pp.15-16.

[Not quite so] Plainsong [as you used to think] in the Age of Polyphony
Issue 4 (Jul. 1992) pp.16-18.

Raising the Spanish treasure or who on earth was Aniceto Baylón?
Issue 1 (Jan.1991) pp.6-7.

Some reflections on Palestrina's Song of Songs
Issue 8 (Autumn 1994) pp.5-7.

VAN GELDER GEERT JAN

From Horwood to the Greenwood: a round and its origin in rondellus
Issue 9 (Spring 1995) pp.5-6.

WANDOR MICHELENE

The Cambridge Companion to the Recorder (Thomson/Rowland-Jones) – review
Issue 11 (Spring 1996) pp.30-31.

WRIGHT PETER

Music in the German Renaissance: Sources Styles and Contexts (Kmetz) – review
Issue 11 (Spring 1996) p.28.

The Trent Codices: an introduction
Issue 8 (Autumn 1994) pp.8-10.

WULSTAN DAVID

Purcell in performance: I
Issue 10 (Autumn 1995) pp.10-13.

Purcell in performance: II
Issue 11 (Spring 1996) pp.20-26.

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