image image Registered Charity No 297300
 
 
 

Early Music Performer

 Early Music Performer and Leading Notes.
 
  Journal of the National Early Music Association
 

  ISSN 1477-478X   Issue 29  
 
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Editor: Dr Andrew Woolley.

A twice-yearly journal edited by Dr Andrew Woolley, containing features and articles of special interest to practical musicians, both amateur and professional. It also contains a wide-ranging list of recent journal articles dealing with issues related to performance practice.

Contributions are invited; please email the editor:- image   Early Music Performer is supplied free to members of NEMA. Non-members may obtain Early Music Performer by contacting the publisher, Ruxbury Publications, see details below.

However, we would encourage you to consider becoming a member of the National Early Music Association, since for little more than the cost of Early Music Performer you also receive the Yearbook, reduced-price entry to the annual Nema Day workshop, and other benefits of belonging to your national early music organisation.
EMP Contents, Issue 29,  November 2011

2
EDITORIAL
Andrew Woolley

4
 ARTICLES
• MORROW, MUNROW AND MEDIEVAL MUSIC: UNDERSTANDING THEIR INFLUENCE AND PRACTICE
Edward Breen
• DIGITAL ARCHIVES AT THE ROYAL LIBRARY, COPENHAGEN
Peter Hauge

11
REPORT
• THE FIRST INTERNATIONAL CONFERENCE ON HISTORICAL KEYBOARD MUSIC
Andrew Woolley

13
REVIEWS
• PETER HOLMAN, LIFE AFTER DEATH: THE VIOLA DA GAMBA IN BRITAIN FROM PURCELL TO DOLMETSCH
Nicholas Temperley

• GIOVANNI STEFANO CARBONELLI:
XII SONATE DA CAMARA, VOLS.1 & 2, ED.MICHAEL TALBOT
Peter Holman

• SANTIAGO DE MURCIA, CIFRAS SELECTAS DE GUITARRA
Martyn Hodgson

21
MUSIC SUPPLEMENT
• FACSIMILES OF SONGS FROM THE / SPINNET: / OR MUSICAL / MISCELLANY (London, 1750)

24
PUBLICATIONS LIST Matthew Hall

COVER: An illustration of p. 44 from the autograph manuscript for J. A. Sheibe's Passionscantate (1768) (Royal Library, Copenhagen, Gieddes Samling, XI, 24). It shows a highly dramatic recitative (`the curtain is torn and the holy flame penetrates the abominable darkness'). At first sight the manuscript seems easy to read; however, Scheibe's notational practice in terms of accidentals creates problems for the modern editor. Scheibe wrote extensively on the function of recitative, and especially on the subtle distinction between declamation and recitative. Peter Hauge
 
 
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Dr Andrew Woolley
Music
School of Arts, Culture and Environment
University of Edinburgh
Alison House
12 Nicolson Square
Edinburgh EH8 9DF


Early Music Performer: £14 per year
Early Music Yearbook: £18
(Together: £20) Post paid directly from
Ruxbury Publications
Scout Bottom Farm
Mytholmroyd
Hebden Bridge HX7 5JS
EDITORIAL BOARD: Peter Holman (Chairman), Clifford Bartlett, Clive Brown, Nancy Hadden, Ian Harwood, Christopher Hogwood, David Lasocki, Richard Maunder, Christopher Page, Andrew Parrott, Richard Rastall, Michael Talbot, Bryan White
ASSISTANT EDITORS: Clive Brown, Richard Rastall EDITORIAL ASSISTANT: Matthew Hall

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