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Editor: Dr Andrew Woolley.
A twice-yearly journal edited by Dr Andrew Woolley, containing
features and articles of special interest to practical musicians,
both amateur and professional. It also contains a wide-ranging list
of recent journal articles dealing with issues related to
performance practice.
Contributions are invited; please email the editor:-
Early Music Performer is supplied free to members
of NEMA. Non-members may obtain Early Music Performer by contacting
the publisher, Ruxbury Publications, see
details below.
However, we would encourage you to consider becoming a member of the National
Early Music Association, since for little more than the cost of
Early Music Performer you also receive the Yearbook, reduced-price
entry to the annual Nema Day workshop, and other benefits of
belonging to your national early music organisation.
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EMP Contents, Issue 29, November 2011
2
EDITORIAL
Andrew Woolley
4 ARTICLES
• MORROW, MUNROW AND MEDIEVAL MUSIC: UNDERSTANDING THEIR
INFLUENCE AND PRACTICE
Edward Breen
• DIGITAL ARCHIVES AT THE ROYAL LIBRARY, COPENHAGEN
Peter Hauge
11
REPORT
• THE FIRST INTERNATIONAL CONFERENCE ON HISTORICAL KEYBOARD
MUSIC
Andrew Woolley
13
REVIEWS
• PETER HOLMAN, LIFE AFTER DEATH: THE VIOLA DA GAMBA IN
BRITAIN FROM PURCELL TO DOLMETSCH
Nicholas Temperley
• GIOVANNI STEFANO CARBONELLI:
XII SONATE DA CAMARA, VOLS.1 & 2, ED.MICHAEL TALBOT
Peter Holman
• SANTIAGO DE MURCIA, CIFRAS SELECTAS DE GUITARRA
Martyn Hodgson
21
MUSIC SUPPLEMENT
• FACSIMILES OF SONGS FROM THE / SPINNET: / OR MUSICAL /
MISCELLANY (London, 1750)
24
PUBLICATIONS LIST Matthew Hall
COVER: An illustration of p. 44 from the autograph manuscript for J.
A. Sheibe's Passionscantate (1768) (Royal Library, Copenhagen,
Gieddes Samling, XI, 24). It shows a highly dramatic recitative
(`the curtain is torn and the holy flame penetrates the abominable
darkness'). At first sight the manuscript seems easy to read;
however, Scheibe's notational practice in terms of accidentals
creates problems for the modern editor. Scheibe wrote extensively on
the function of recitative, and especially on the subtle distinction
between declamation and recitative. Peter Hauge
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Dr Andrew Woolley
Music
School of Arts, Culture and Environment
University of Edinburgh
Alison House
12 Nicolson Square
Edinburgh EH8 9DF
Early Music Performer: £14 per year
Early Music Yearbook: £18
(Together: £20) Post paid directly from
Ruxbury Publications
Scout Bottom Farm
Mytholmroyd
Hebden Bridge HX7 5JS
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EDITORIAL BOARD: Peter Holman (Chairman), Clifford Bartlett,
Clive Brown, Nancy Hadden, Ian Harwood, Christopher Hogwood, David
Lasocki, Richard Maunder, Christopher Page, Andrew Parrott, Richard
Rastall, Michael Talbot, Bryan White
ASSISTANT EDITORS: Clive Brown, Richard Rastall EDITORIAL
ASSISTANT: Matthew Hall
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