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The Rose Consort of Viols: Concerts and Events

  • 6 October 2008 at 7.30pm Huddersfield Music Society
    St Paul’s Hall, University of Huddersfield
    Rose Consort of Viols with Emma Kirkby (soprano)
    ‘The Swan and the Nightingale’
    Consort songs by William Byrd and Orlando Gibbons, together with music as enjoyed by 'gentlemen and merchants of good account' in the City of London around 1600: Italian madrigals by Luca Marenzio, and sublime fantasias, pavans and galliards by Dowland, Ferrabosco, Holborne and their contemporaries. Tickets from: Michael Lord
    www.huddersfield-music-society.org.uk
    Telephone: 01484 310104
     
  • 7 Oct 2008 at 6.15pm University of Huddersfield
    Phipps Concert Hall, Creative Arts Building

    Professor John Bryan with the Rose Consort of Viols
    Inaugural Lecture-Recital: ‘Songs without Words’:
    An Approach to the Performance of Elizabethan and Jacobean Consort Music
    www.hud.ac.uk/mh/music
     
  • 4 Dec 2008 at 7.45pm Bedford Music Club
    Bunyan Meeting Free Church, Mill Street, Bedford

    Rose Consort of Viols with Catherine King (mezzo soprano)
    ‘Lullaby, my sweet little baby’: Elizabethan & Jacobean Music for Christmas
    Tickets: 01234 269519
    www.bedfordmusicclub.co.uk
     
  • 12 Dec 2008 at 7.30pm Milverton Concert Society
    Milverton Paris Church

    Rose Consort of Viols with Catherine King (mezzo soprano)
    ‘Trickling Tears and Ruthless Rage’: Elizabethan Dramatic Songs, Dances & Fantasias
    Tickets: 01823 400200
    www.milvertonconcerts.org
     
  • 09 February 2009 19:30 Ripon Cathedral, Ripon
    Rose Consort of Viols with the Deller Consort
    London Street Cries
    Viol and Consort Music from the 16th and 17th centuries to include the Gibbons Fantasia on London Street Cries... detail to follow. Venue:- www.riponcathedral.org.uk
    Ticket Prices: £15 (£2 school and college students)
    www.riponconcerts.co.uk
    Telephone: 01765 658071
     
  • 10 Feb 2009 at 7.30pm
    St. Mary’s Church, Warwick

    Rose Consort of Viols with Catherine King (mezzo soprano)
    ‘Ayres & Fancies’: Purcell’s incomparable fantazias, with songs by Dowland & Byrd
    Tickets: 01926 776438
     
  • 3 March 2009 at 7.30pm University of Sheffield, Firth Hall
    Rose Consort of Viols
    ‘Ayres & Fancies’: Purcell’s incomparable fantazias, with dances and In Nomines by his Tudor predecessors
    Tickets: 0114 222 0499
    www.sheffield.ac.uk/concerts
     
  • 14 July 2009 York Early Music Festival
    Rose Consort of Viols
    ‘Alpha & Omega’: the first and last English viol consorts, from the early Tudors to Purcell
    Details to follow...
     

  • 31 July 2008 at 5.00pm Dartington International Summer School
    Great Hall, Dartington, Rose Consort of Viols, Music by Tobias Hume

    See http://www.dartington.org/summer-school
     
  • 29 July 2008 at 5.00pm Dartington International Summer School
    Great Hall, Dartington, Rose Consort of Viols
    ‘Sweet Delightful Ayres and Sublime Discourses’

    Fancies, In Nomines and dance music by the last great English consort composers, commended by Thomas Mace in Musick’s Monument of 1676, including John Ward, John Jenkins and William Lawes, as well as the incomparable Henry Purcell.
    See http://www.dartington.org/summer-school
     
  • 26 July-2 Aug 2008 Dartington Course
    Directors: Rose Consort of Viols, Viol Consorts: Alpha and Omega

    This course will focus on the great repertory of English consort music, from the court of Henry VIII and the Lumley partbooks, to music by Tallis, Tye and their contemporaries. More advanced players will also be coached in later music, such as Jenkins, Lawes and Locke, leading to the crowning glory of Purcell’s Fantasias. Competent sight-reading is essential.
    During the week there will be one or two sessions offering complete beginners the chance to play the viol. For details see http://www.dartington.org/summer-school
     
  • 18 July 2008 at 7.30pm Gower Festival, St Mary’s Church, Rhossili
    Rose Consort of Viols with Catherine King (mezzo soprano)

    ‘Trickling Tears and Ruthless Rage’
    Tickets from: http://www.gowerfestival.org/
     
  • 8 July 2008 at 1.00pm York Early Music Festival, National Centre for Early Music,
    St Margaret’s Church, York. Rose Consort of Viols, Three Britons in Brussels

    Consort music by John Bull, Richard Dering and Peter Phillips
    Tickets from: www.ncem.co.uk
     
  • 14 May 2008 7.30pm Ottery St Mary Church, Devon, Rose Consort of Viols with Clare Wilkinson mezzo-soprano. ‘Trickling Tears and Ruthless Rage’, Tickets £10 centre nave and £8 side aisles available from Exeter Leukaemia Fund Office.
    Profits in aid of The Exeter Leukaemia Fund.
     
  • 8 April 2008 at 8.00pm Amersham Festival St Mary’s Parish Church, Old Amersham.
    Rose Consort of Viols with Catherine King (mezzo soprano) ‘Trickling Tears and Ruthless Rage’ Tickets £13, £10 from Clive Morley 1, Meadow Drive, Amersham, Bucks. HP6 6LB http://www.amershamfestival.org
  • Friday 7th December 2007- 7.30 pm. National Centre for Early Music, York Early Music Christmas Festival, Ibi Aziz, John Bryan, Alison Crum, Roy Marks, Peter Wendland viols
    with Catherine King mezzo-soprano
    Lullaby, my Sweet Little Baby, Elizabethan songs and consort music for a Festive Celebration including music by Byrd, Tye, Holborne and Peerson. Contact:- National Centre for Early Music.
     
  • Thursday 6th December 2007 at 7.30 pm, Djanogly Concert Hall, Lakeside Arts Centre.
    Nottingham University Concert Series. The Rose Consort of Viols: John Bryan, Alison Crum, Roy Marks viols, Perfect and Sweet Harmony. A journey through the viol consort’s development, starting with copies of instruments from Italy in 1497, through later 16th century Venetian instruments to the Jacobean period and English viols, ending with pieces from the 17th century by Lawes, Locke and Purcell.
    Contact: Catherine Hocking, Music Officer, Lakeside Arts Centre, University of Nottingham, Nottingham NG7 2RD.  www.lakesidearts.org.uk
     
  • Thursday 29th November 2007 at 7.30 pm, Great Hall, Lancaster University.
    Lancaster International Concert Series
    , Ibi Aziz, John Bryan, Alison Crum, Andrew Kerr, Roy Marks viols. Songs without Words: Consort Music from the Age of Elizabeth I
    Renaissance composers were adept at borrowing each others’ music: well known songs were arranged as instrumental pieces; motets and madrigals performed without their texts. This programme explores a range of consort music that owes much to the rich vocal repertory of the Elizabethan age, including pieces by Tallis, Tye, Parsons, Ferrabosco, Byrd and Dowland.
     
  • Saturday 10 November 2007 - 1.45 - 2.30pm. Old Royal Naval College Chapel Greenwich SE10 Greenwich International Early Music Festival & Exhibition 2007
    Four Gentleman of the Chapel Royal
    Ibi Aziz, John Bryan, Alison Crum, Andrew Kerr and Roy
     
  • Thursday 2 August 2007 - 7:00 pm. - Orvis Auditorium, University of Hawaii at Manoa, Honolulu, Hawaii. Music of Tye, Tallis, Byrd, and Tomkins -- CD launch. Please check the details at http://vdgsa.org/PPGG/
     
  • Monday 30 July 2007 - 7:30 pm. - First Lutheran Church of Honolulu, 1730 Punahou St., Honolulu. Rose Consort of Viols with Bach Chamber Choir, English Anthems and Consort Music for Voices and Viols. Please check the details at http://vdgsa.org/PPGG/.
     
  • Sunday 29 July 2007 - 4:00 pm. Atherton Performing Arts Studio, 738 Kaheka St., Honolulu. A Short History of the Viol. Part of the Pan-Pacific Gamba Gathering. The Viola da Gamba as a World Instrument July 29 - August 5, 2007, University of Hawaii at Manoa, Honolulu, Hawaii. Please check the details at http://vdgsa.org/PPGG/
     
  • Monday 23 July 2007 - 8:15 pm. The Great Hall, Dartington
    Rose Consort of Viols with members of Stile Antico.
    Loyal servant & devout catholic, William Byrd lived a double life. Whilst composing brilliant gems for the courts and chapels of the Protestant monarchs Elizabeth I and James I, he remained a staunch Catholic throughout a period of dire persecution. Tonight’s programme juxtaposes the two sides of Byrd’s musical character: the public and private faces of a man regarded by his contemporaries as ‘a Father of Musick'. Please check the details at Dartington International Summer School.
     
  • 21 July to 28 July 2007. Dartington International Summer School
    French chanson and Renaissance dance repertory; Dowland’s reworking of songs as dances; and the art of embellishing chansons and madrigals. It is hoped that there will be opportunities for viol players to work with voices in some of this repertory. There will also be sessions for less experienced players, as well as a chance for complete beginners to ‘try the viol’.
     
  • Wednesday 11 July 2007 - York Early Music Festival The National Centre for Early Music, York The Rose Consort of Viols and Stile Antico - Helen Ashby, Kate Ashby, Alison Hill sopranos Emma Ashby, Eleanor Harries, Carris Jones altos Peter Asprey, Andrew Griffiths, Thomas Herford tenors, Oliver Hunt, Matthew O'Donovan, John Herford basses
    William Byrd: loyal servant of the Crown and devout Catholic. William Byrd lived a double life. The programme juxtaposes the two sides of his musical character: the brilliant gems composed for the courts and chapels of the Protestant monarchs Elizabeth I and James I, contrasted with the Latin motets he published for secret services held by those of the old faith at a time when Catholics endured dire persecution. It is music whose intensity resonates with us still.
  • Tuesday 7 November 2006 7.30 St. Mary’s Church – Warwick.
    ADMIR’D FOR SKILL IN MUSICKES HARMONIE
    A celebration of the music of two great Elizabethan composers: Thomas Tallis and Christopher Tye, together with music by their contemporaries and successors in the Chapel Royal with Clare Wilkinson mezzo.
     
  • Thursday 26 October 2006 7.30 – Church of St Mary's and All Saints, Church Way, CHESTERFIELD, Derbyshire, S40 1XJ.    ..map
    ADMIR’D FOR SKILL IN MUSICKES HARMONIE
    A celebration of the music of two great Elizabethan composers: Thomas Tallis and Christopher Tye, together with music by their contemporaries and successors in the Chapel Royal with Clare Wilkinson mezzo.
     
  • Sunday 17 September 7.30 -  a concert part of the Melbourne Festival 2006 at the Parish Church of St Michael with St Mary Melbourne Derbyshire.
    A journey through the viol consort’s development, using various sets of instruments, starting with copies of instruments from Italy in 1497, through later 16th century Venetian instruments to the Jacobean period and English viols, ending with pieces from the 17th century by Lawes, Locke and Purcell.
     
  • Saturday 22 July - Saturday 29 July 2006: Dartington International Summer School:
    A course featuring consort music contemporary with Monteverdi’s Vespers of 1610, also to include the 5-part fancies of Michael East.
     
  • Tuesday 25 July 2006 8.15 pm: Great Hall, Dartington College:
    Emma Kirkby soprano, Rose Consort of Viols
    Ibi Aziz, John Bryan, Alison Crum, Andrew Kerr, Roy Marks, Peter Wendland
    The Swan and the Nightingale: Dainty Fine Birds
    Music ‘apt for Voyce and Viols’ from Jacobean England, including pieces from Orlando Gibbons’ ‘First Set of Madrigals & Mottets’ of 1612 and Michael East’s ‘Third Set of Bookes: Neopolitanes, Fancies and Madrigales’ of 1610. These will be performed together with a selection of the Italian madrigals by Luca Marenzio that inspired them, and sublime consort music by Gibbons, Ferrabosco and their contemporaries.
     
  • Saturday 8 July 2006 at 19:30: St. Hilary's Church, Wallasey – The Wirral Festival:
    ‘Flights of Fancy’ a programme of fantasias, dances and In Nomines spanning the glories of English consort music from Taverner to Purcell.
     
  • Sunday 9 July 2006 at 10.00 pm: The Gallery, Harewood House
    Part of the York Early Music Festival  - National Centre for Early Music
    A new programme focusing on the dynasties of Italian composers working for the Tudor Courts,
    with Jacob Heringman (lute & cittern) Please note that booking opens Monday 3rd April 2006.
     
  • Saturday 10 June 2006 at 9.30 pm: L’Eglise d’Asfeld, Asfeld Festival:
    Société Française de Viole. ADMIR’D FOR SKILL IN MUSICKES HARMONIE.  A celebration of the 500th anniversary of the births of two great Elizabethan composers: Thomas Tallis and Christopher Tye, together with music by their contemporaries and successors in the Chapel Royal, with Clare Wilkinson (mezzo)
     
  • Tuesday 28 March 2006 7.30 pm: Queen’s University, Belfast Sonic Arts Research Centre.
    Trickling Tears and Ruthless Rage: Dramatic Songs from the Elizabethan Theatre, with Clare Wilkinson (mezzo).  English consort music, to be heard in the unrivalled stillness of the Sonic Lab, SARC - a venue more often associated with contemporary sounds.
  • Sunday 13th November 2005 1.00 pm, Admiral's House, Greenwich International Festival & Exhibition of Early Music. The Rose Consort of Viols play Richard Jones Renaissance Viols in a concert of early renaissance music by Costanzo Festa ( c 1480-1545)
     
  • Friday October 14th  2005 8.00pm, Little Missenden Festival, Little Missenden Church, by candlelight. John Bryan, Alison Crum, Roy Marks, Susanna Pell, Peter Wendland viols Catherine King mezzo soprano. This programme celebrates the 500th anniversary of the births of Thomas Tallis and Christopher Tye. It will include: consort songs by Tallis, Parsons and Byrd, anthems by Tallis, Tye and Tomkins, In Nomines and fantasias by Tallis, Tye, Parsons, Byrd and Tomkins, pavans, galliards and almains by Dowland and Holborne.
     
  • Wednesday 5th October 2005 8pm, Brighton Early Music Festival
    The Great Hall Brighton College Eastern Rd, Brighton, BN2 0AL

    The Rose Consort of Viols with Catherine King. Admired for Skill in Musick's Harmony.
     
  • Sunday 24 July 2005 at 5.00 pm, Great Hall, Dartington International Summer School
    The Rose Consort of Viols with Clare Wilkinson mezzo soprano
    .
    Trickling Tears and Ruthless Rage. Songs of passion and melancholy from entertainments given by London's 16th-century choirboy drama companies, interspersed with elegant Elizabethan dances and fantasias, featuring music by Tallis and Tye (both born 500 years ago), Parsons, Byrd, Dowland and Tomkins.
     
  • 29th May 2005 7.30pm Beverley & East Riding Early Music Festival St Andrew's Church, Bainton.
    The Rose Consort of Viols with Clare Wilkinson mezzo soprano.

    Trickling Tears and Ruthless Rage. Songs of passion and melancholy from entertainments given by London's 16th-century choirboy drama companies, interspersed with elegant Elizabethan dances and fantasias, featuring music by Tallis and Tye (both born 500 years ago), Parsons, Byrd, Dowland and Tomkins.
     
  • Wednesday 25 May 2005 7.30 pm
    Christ Church,  2 Eldon Rd., off Victoria Road Kensington, London
    Philharmonia Voices, director: Aidan Oliver & the Rose Consort of Viols

    Music from the Golden Age of English Church Music:
    Tudor anthems, motets and consort music including works by Orlando Gibbons, Thomas Weelkes, William Byrd and Thomas Tallis. Admission free
  • 20 December 2004, 7 pm Spitalfields Festival
    'Now twinkling stars do smile'
    The Rose Consort of Viols and Emma Kirkby recreate a music party such as those enjoyed by 'gentlemen and merchants of good account' in the City of London around 1600, including Italian madrigals and French chansons 'Englished', together with pavans, galliards and fantasias from England and continental Europe. Featured music will include the 'delicious air and sweet invention' of Luca Marenzio, Orlando Lassus's classic 'Susanne ung jour' and pieces by the young London composer John Ward.  Spitalfields Festival
     
  • 13 November 2004 7.45pm , The Georgian Concert SocietySt Cecilia's Hall Edinburgh
    This programme for 5 viols and mezzo-soprano Clare Wilkinson focuses on the dramatic songs of the Elizabethan Theatre and includes moral tales and tragic laments by Richard Farrant, Robert Parsons and Nathaniel Pattrick, interspersed with instrumental dances and fantasias by their better-known contemporaries such as Thomas Tallis, Christopher Tye and the 'Father of Musick' William Byrd.
     
  • Sunday 3rd October 6.30pm Old Royal Naval College Chapel, Greenwich
    'Now twinkling stars do smile'
    Emma Kirkby with Jakob Lindberg and the Rose Consort of Viols
    Music as enjoyed by 'gentlemen and merchants of good account' in the City of London around 1600.
     
  • 24 - 31 July 2004, Dartington International Summer School
    1604 saw the publication of one of the most significant collections of English instrumental music, John Dowland's  magnificent Lachrimae, or Seaven Teares Figured in Seaven Passionate Pavans, with divers other Pavans, Galiards, and Almands. This will form the basis of our course (advanced lute players are welcome to join the viols) and we will also dip into two other 1604 publications 'apt for viols and voices': Michael East's first set of Madrigals, and the first set of madrigals by Thomas Bateson, for which singers with secure sight-reading are welcome to work alongside the viols. In addition there will be opportunities for beginners to 'try the viol' and a range of other music from around 1600: fantasias, dance music, consort songs and verse anthems. During the week (date tbc) the Rose Consort of Viols will perform Dowland's Lachrimae together with other consort pieces from the period.
     
  • 22 July 2004, part of Cirencester Early Music Festival
    'Showers of Harmonie': a selection of pavans, galliards and almains from Dowland's 1604 book, interspersed with fantasias, In Nomines and lute solos by Dowland's contemporaries (including Byrd, Ferrabosco, Ward, Tomkins) and consort songs and songs from Elizabethan drama by Byrd and Parsons with Clare Wilkinson. Cirencester Early Music Festival - 2004
     
  • 7 July 2004 at 1.00 pm part of The York Early Music Festival
    Rose Consort of Viols
    with Catherine King (mezzo-soprano)

    Chansons et Fantasies
    Sixteenth century French music in a York manuscript

    Tudor musicians enjoyed performing a colourful range of national styles ' not just native pieces and Italian madrigals ' and this included French chansons. One manuscript in York Minster Library (M 91 S) is a typical anthology from the second half of the sixteenth century, containing a wealth of chansons by Clemens non Papa, Crequillon, Sandrin and Sermisy, alongside a few Italian madrigals and motets, as well as songs by Tallis and Byrd.

    The Rose Consort takes this York anthology as the basis for its programme, exploring the gamut of emotions from the plaintive lament of an exiled monarch, through ardent love songs to the songs of carefree countryfolk. It will also include instrumental fantasies from the collection published by Eustache du Caurroy in Paris in 1610: these also circulated in England, as some were copied by Francis Tregian into his great scorebook.
    The York Early Music Festival The National Centre for Early Music, St Margaret's Church, Walmgate, York YO1 9TL
     
  • 6 May 2004, 7.30pm, Convent Chapel, Mayfield, Kent. Part of Mayfield Festival.
    "Teares of Sorrowe and Gladnesse": a celebration of the 400th anniversary of the publication of Dowland's Lachrimae , including fantasias, dances and lute solos by Dowland's contemporaries (including Byrd, Ferrabosco, Ward, Holborne) and concluding with the seven Lachrimae pavans (5 viols with Jacob Heringman, lute)
     
  • 24 January 2004,7.30pm, United Free Church, Fore Street, Totnes For Severall Friends works by Jenkins, Locke, Lawes and Purcell. John Bryan, Alison Crum, Roy Marks, Andrew Kerr. Music for viols flourished during their last years in England ' the period of the Civil War and the Restoration ' before being overtaken by the newfangled violin. The fantasias, divisions and airs of John Jenkins, William Lawes, Matthew Locke and Henry Purcell, with their unique blend of intimacy, intricacy, passion and flamboyance, are rich fruits of this musical autumn.
  • 4 December 2003 at 7.30pm Priory Church of St Mary, Monmouth. Eliza, Farewell
    John Bryan, Alison Crum, Roy Marks, Susanna Pell, Peter Wendland with Jacob Heringman, lute. To commemorate the 400th anniversary of the death of Queen Elizabeth I in 1603, this programme reflects the monarch's love of dancing in galliards by Holborne, together with intricate fantasias of William Byrd, and ends with Dowland's incomparable cycle of 'teares' - the Lachrimae pavans published in 1604.
     
  • 25 October 2003, 7.30pm, St Alfege Church, Greenwich,
    with Clare Wilkinson & Jacob Heringman; 'The Queen's Farewell': commemorating the 400th anniversary of the death of Queen Elizabeth I. Consorts, dance music and songs from Elizabethan drama, including pieces by Thomas Tallis and Alfonso Ferrabosco (both buried in St Alfege Church Greenwich), and their contemporaries Byrd, Parsons, Dowland and Holborne.
     
  • 9th July 2003 10.00pm, York Early Music Festival  Holy Trinity Church, Goodramgate
    John Bryan, Alison Crum, Roy Marks, Peter Wendland, Ibi Aziz viols.  Lullabie:A late-night sequence of Tudor viol consorts English musicians at the Tudor court adopted the viol consort that had arrived from Italy in Henry VIII's reign, writing music of great subtlety and character. This programme includes miniature masterpieces by several of the great Tudor masters ' Tallis, Parsons, Tye, and Byrd ' alongside elegant dances by Holborne and Morley.
     
  • 30 January 2003, Royal Northern College of Music. Eliza, Farewell
    John Bryan, Alison Crum, Roy Marks, Susanna Pell, Peter Wendland with Jacob Heringman, lute. To commemorate the 400th anniversary of the death of Queen Elizabeth I in 1603, this programme reflects the monarch's love of dancing in galliards by Holborne, together with intricate fantasias of William Byrd, and ends with Dowland's incomparable cycle of 'teares' - the Lachrimae pavans published in 1604. Royal Northern College of Music
     
  • 7th November 2002 13.10  The Great hall, University of Leeds
    John Bryan, Alison Crum, Andrew Kerr, Roy Marks. Musica soavissima & artificiosa: early Renaissance viol music from Italy and its influence across Europe .

  • 29th July 2002 17.00 Dartington International Summer School, the Great Hall
    Ho, who comes here'  John Bryan, Alison Crum,  Roy Marks, Peter Wendland, Andrew Kerr, with Clare Wilkinson - alto. A celebration of the music of Thomas Morley, who died 400 years ago having profoundly redefined the musical taste of Elizabethan England.

  • Wednesday 5th June 2002, 14.00 and 15.30 The Great Hall, The National Maritime Museum Greenwich. Jubilee Event: Golden Age Restor'd Workshop:- Join the Rose Consort of Viols to explore early Stuart music. Bring a recorder or a stringed instrument to join in!

  • Sunday 2nd June 2002, between 12.00 and  16.00 :- Queens House, Greenwich. Jubilee Event:
    Concerts given by The Rose Consort of Viols and the students of Trinity School of Music present early Stuart Music in celebration of Queen Henrietta Maria's Court.

  • Thursday 23rd May 2002, 9.15pm. Beverley Festival. The Quire, Beverley Minster
    Now is the Month of Maying. Concert by Candlelight Rose Consort of Viols with Rebecca Saunders, soprano. A programme marking the 400th anniversary of the death of Thomas Morley, featuring madrigals, ballets and instrumental pieces by Morley himself, interspersed with readings from his 'A Plaine and Easie Introduction to Practicall Musicke' together with pieces by his contemporaries, with a pre-concert talk by John Bryan 'Music Most Artificial and Delightful' in the Beverley Guildhall, 6pm.

  • 10th March 2002, 6.00pm Suffolk Villages Festival, Boxford Church, Suffolk
    Heinrich Schutz - Sacred Histories & Dramatic Dialogues. Psalmody, Rose Consort of Viols,
    directed by Peter Holman.

  • 19th February 2002, 1.05pm City Music Society, Bishopsgate Hall, 230 Bishopsgate, London, EC2 Those dainty daffadillies -a half-term holiday concert for 8 to 80 year-olds celebrating the 400th anniversary of Thomas Morley. Rose Consort of Viols with Hedvig Eriksson. Tickets available at the door
     
  • 2nd February 2002, 7.30pm Djanogly Recital Hall, Nottingham University Hoe. Who comes here? -a celebration of Thomas Morley with Hedvig Eriksson. With pre-concert talk 'Music most artificial and delightful' by John Bryan at 6.15pm.
 

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Design -  Ted Copper. Graphics - Roy Marks. Last modified 18 Aug 2008
Copyright © 1999-2008 Ted Copper. www.roseconsort.co.uk