ACROSS&DOWNŠH.lj˾Ì1.2cî}–'@"DADAISM.SCUMBLE.M.R.T...R.E.E.PATTERNS.INLAID.T.E.I.T.M.D.S.SELF.PEELS.SPUN.U.A.E.A.O...R.TRACES.MONTAGESA..T.......R..IBRISTLES.DETEST.E...S.C.I.C.H.BLED.LAURA.OVAL.I.A.O.L.G.U.D.YELLOW.PORTRAIT.F.E.R.T.A.S.E..SPRAY.SYMMETRY-------.-------.-.-.-...-.-.-.--------.------.-.-.-.-.-.-.-.----.-----.----.-.-.-.-.-...-.------.---------..-.......-..---------.------.-...-.-.-.-.-.----.-----.----.-.-.-.-.-.-.-.------.--------.-.-.-.-.-.-.-..-----.--------March 2001Eddie JamesAdams I'd reinterpreted for a 20C art movement (7)A mature sort of 'Sunday painter' (7)Crafty products! (9)Bands - a feature of Bridget Riley's op art pictures (7)Rather a drag to use this outline-softening technique? (7)Looking very embarrassed about using such a gaudy colour? (7)Blends the beginnings of Matisse, Ensor, Lely, Dali and Sisley (5)In Schiele, I surely find recreation (7)Designs made by girl on sea birds (8)Oddly, Matisse is missing vapour (5)Embedded, fashionable Dali movement (6)&30 Just picture yourself painting this! (4,8)What cheap paint does in landscape, Elsie! (5)Created thread – was revolutionary! (4)Lazily copies a picture – of misshapen crates (6)Part of magenta-blue flap (3)Gas Monet used to make composite pictures (8)Cor! Seurat's odd for a programme of painting instruction! (3,6)Take a chair to be an artist's model (3)No evidence of a close shave with such a brush feature (8)Stand-ins for small, projecting sculptures? (7)Slowly, right, makes a painter of northern England townscapes (1,1,5)Carves out an artistic career? (7)Really hate Ted's ET composition (6)Illustrative sketch makes a grim ad (7)A red his mixing makes more cloudy (7)Some Constable design ran one colour into another (4)Buyer and seller of art loses direction – so here's a word from our sponsor! (5)Knight follows this English painter of ballet and circus! (5)Shape Miro valued to some extent (4)Colour that makes you shout "That hurt!" (6)No ClueArp's twisted end of key to use an aerosol (5)Emmy's backward attempt to achieve balance and evenness of form (8)