Little Mo with Rod Sinclair
You could write a review based on the song titles and
first lines, but accurate as it it might be, it still
couldn't provide a sense of the atmosphere at the King's
Head last Friday night. To get that you'd have had to be
there!
"I told you pretty baby, if you want me to love you .. .
you'll have to give it up - or let me go." "When I get
home baby . . . that'll be consolation for my worried mind."
"Diddy-wah-diddy . . . tell me what it means." "No peace I find,
just an old sweet song . . . keeps Georgia on my mind."
"Well I'm tryin' so hard you know I can't do more . . .
when I go home I cry myself to sleep." "How can a poor man
stand such times and win?" "Standin' at the crossroads, i'm
just tryin' to get a ride." "I've got to leave my happy
home . . . you caused me to cry." "I ain't goin' down that
long lonesome road by myself - but if I can't have you baby,
I'll find somebody else."
"Big Bad Ben is Sweet William now." "God bless the child
that's got his own." "I've got the key so I'm gonna walk
this highway 'till the break of day." "At the dark end of
the street . . . I've got those walkin' blues."
Sixteen bar blues have a pace, cadence and intimate
story all their own, and if you don't 'get' it, well then
maybe you've never quite had the blues. Or experienced the
catharsis of the song. Funny thing though, blues never
quite work for me for very long out of a box - they have to
be live before they, well, before they live. Words and
canned music are such a pale imitation of the real thing.
Nostalgia for lost times, the pain of separation, of lost
love, betrayal, however you cut it, the blues came out live
as Little Mo's voice swelled, swayed, blossomed and growled,
and Rod Sinclair's brilliant acoustic guitar and slide work
provided just the right sort of balance to keep our feet on
the ground.
"Sweet Home Chicago"; "From 4 'till 8 I was wringin' my
hands and cryin'"; "I've got stones in my pathway, and the
pain in my heart has taken my appetite"; "Vigilante Man";
"In the mood with/for/over love"; "I got trouble, I got a
worried mind"' "Get your kicks, on Route 66"; "I live the
life I love and I love the life I live" "I need somebody -
darlin' I know you can - oh believe me when I tell you - you
gotta love me like a man". "I woke up this morning . . . I
believe I'm gonna dust my broom"; "Shake, Rattle &
Roll"; "Baby what you want me to do?" "Put on your red
dress baby - child we're goin' out tonight" "From the dark
end of the street to the big lights of the road".
There's no compromise with the blues, it just all rolls
out, and envelops, and lives. Everybody was so pleased to
welcome Little Mo and red Rod back to the intimate stage,
and on the strength of this evening, it'll have to be a
only a short time before they return to the 'Dale. Soon!
Larry Winger
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