MacAlias by any other name
would sound as sweet
In this post-modern ironic age of icons and aliases,
avatars and nemeses, knowing spooks and arch hobgoblins
who've seen it all before and think it's passé, it's
nice to know that some traditions are alive and well,
especially when a pair of bonny red-haired lasses from way
up north make a fleeting visit south to bring them to life.
And they don't come more traditional than the ballads of
that famous Scotsman Rabbie Burns. Considering that this
next January will be Burns' 250th anniversary, it seemed
altogether fitting to get an early taste of some enchanting
Scottish melodies under our belts. So the reception for
Gill Bowman and Karine Polwart, otherwise known as
MacAlias, at the King's Head in Allendale last Friday
evening, was warm to begin with, and it grew warmer as the
night went on.
The signature characteristic of MacAlias seems to be a
capacity to mix up two songs, with interweaving melodies,
and come out safely at the other end. We heard about
four couplets of this sort of rendition, all very charmingly
delivered, whether it was the weaving songs with wracked
wrists of purest good-humoured welly, or a question of
paternity and the de'il's excise man, or again a visitation
to the cruel mother genre via 'The fine floo'ers of the
valley' intriguingly juxtaposed with one of
Northumberland's finest, 'Bonny at morn'.
I also liked the way MacAlias wove in numbers with a pop
flavour, like 'The Sun Shines in Paradise', or humorous
ones like 'John C. Clarke' with its gas-flavoured evocation
of King of the Hill, or contemporary treasures like Annie
Fox's 'The moon above the rooftops' or Gill's own 'I don't
think she will stay', interspersed with some of Burns'
best, 'The Gowden Locks of Anna' or even some that sounded
like Burns, 'Gin I were a blackbird', but were really
Gill's.
This programme out in the Dale, which started off rather
tongue in cheek as the Women with Welly season, is
really maturing, with some startling performances by some
really gutsy women. These women of MacAlias, for example,
were not afraid to finish their first set with a mining
serfdom song, 'Girlhood days are done', that thrummed
through the rest of the night in the intimate venue like a
vibrating heart.
Larry Winger
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