The Weapons Master's Lair
Khaless nau uss mzild taga dosstan.
Welcome to my, Khaza`Rea's, Lair. For the past several years I've stood with the Tarantula`s,
interested with some of the surface races and disgusted with others. Now it`s 1098 and
the House is rebuilding for what we hope shall be it's greatest time. It seems that there
are always trivialities we overlook.
FIGHTING
There’s more to fighting than the swinging of swords and swiftness of blade.
Although this is often what it succumbs to, there are better ways.
The Body
Splitting the body into six sections is simple:
- Head
-
Left arm
-
Right arm
-
Torso
-
Left leg
-
Right leg
Each location represents something different. Arms result in the loss of
weapons and an effective win. When the arms are taken out the enemy is at your
mercy and seeing as the arms are often only lightly armoured, in comparison to the torso, this can often be
the best location to attack.
The legs are a good choice simply because they are often left unguarded.
Throw a few strikes at the legs and if they hit with no attempt at parrying then
take them out.
The chest and head both result in unconsciousness but are also commonly
well armoured. It’s much easier to take out the weapon arm first then the head
or chest when your opponents defenceless. It must be understood that this is only ever
applicable to an enemy who knows how to fight and has some regard for personal safety.
Understanding how to hit and parry each location is something else and best
left taught face to face. It takes practice to get right. There’s only a limit
on how much you can learn by yourself. The easiest way to get good is to fight
as many other people as possible with different style and taking note of how they
fight. Fight people who you consider better than yourself. I care not for an ego-boost
in defeating someone who could be defeated with my eyes closed.
Sword swings should be sharp and have (in some systems) a 2’ swing behind
them. This gets rid of the possibilities of `drum rolling` (known by a variety of
other names) where you’re attacked then rapidly hit with only a half foot swing
behind all the next ones. If this happens then it’s likely that only the first
hit will have done any noticeable damage and the others can be discounted.
LEG SHOTS
A strike at the legs needs as much reach as possible. The easiest way
to accomplish this is to flex your back leg and bend your front knee so that
your reach increases to it’s greatest distance.
CHEST SHOTS
If your enemy is an accomplished fighter then the chances are you’re
not going to be able to hit his chest unless it’s a surprise attack. Most
likely his arms will be covering his chest and they will take the hits first.
If the enemy isn’t ambi-dex, take out his arm; it leaves him completely open
and will likely be less armoured than his chest.
WATCH
When fighting do not watch your opponents weapons. It doesn’t help since
small flicks of the wrist can throw you off. If they’re one handed watch their
shoulder, if their ambi-dex watch the centre of their chest.
STYLES
One Handed
This doesn’t qualify as a style in itself but is the common ability for
everyone. One handed is most often used by high power spellcasters or Incantors
who have few abilities in fighting.
With that said, it is always possible to beat someone one handed even if
they fight ambi-dex, two handed or sword and shield (polearms are a different story).
The easiest way to do it is to feint fast and strike to the opposite side.
If they don’t fall for your feint and try to parry it hit them on the feinting side.
Against someone fighting ambi-dex move fast. If you’ve got more reach hit
their arm as it comes at you (this is presuming they’re fighting offensive/defensive
ambi-dex).
If they’re fighting full ambi-dex where they can switch from left to right
with no qualms then you’re going to have trouble and will end up parrying multiple
feints and attacks from possibly two directions at once.
Feinting
To take someone out, speed isn’t always the greatest asset. Feinting to one side
then attacking on the opposite side is ideal and if done fast enough can win a fight.
This is usually the first move someone learns so get it learnt now.
Ambi-Dexterity
With this style it’s possible to take out anyone; but first have a
look at the various set-ups:
One small One large - Offensive/Defensive ambi-dex
Two large - Full ambi-dex
Two small - Full ambi-dex
Each different set up changes the way you must fight.
For style 1) The attacking will obviously come mostly with the larger
sword and therefore there won’t be a great deal of stepping over. The smaller
sword will be held in a defensive position ready for fast parries.
2) The easiest style which can kill people in seconds. With two large
swords (36-42") you can fight one way then using some fast feints draw them over
so that one side is exposed and can be struck by stepping over and using the other sword.
Try switching sides in the middle of a fight, it is a superb throw-off for any opponent.
3) This style can become a whirl. To take advantage of it you must close
range quickly and be able to lash out attacks faster than they can; which, if
you’re swords are smaller and lighter, shouldn’t be a problem. Be careful with this, it`s
not the intention to injure out-of-character your opponent.
Fighting ambi-dex is commonly done with two swords yet proficient fighters will use
a sword in one hand and an axe in the other. This gives a great advantage in duels but in
the heat of battle makes little difference. An axe is the simplest weapon for doing circular
parries and, therefore, disarming enemies. It can also be used to pull down shields and
(occasionaly) harm enchanted creatures.
Two handed
If you’re fighting with a small two handed weapons (42") then this can get fast,
up to the point where you lose concentration of the blows.
With a large two handed weapon which is slow then the only thing it’s good
for is impressing people and breaking through parries. It’s difficult to win a fight
with a slow two handed weapon against any style if you’ve got a bad swing; enemies
can slip through the reach and hit maybe four times faster than you.
Arcing
With a small two handed weapon you should be able to swing one direction and
instantly bring it back round in an arc the other way so both attacks look like
(and are) a single move.
Sword and Shield
This style is when you get the hang of it. The idea is simply to
knock the opponents weapon away then rush forwards and hit as many times as
possible without exposing much of your body.
Many shield fighters fight crouched; this means the shield covers a lot more
of your body. Remember, though you have to be able to see to fight.
Wear head armour! If you use the shield to protect your head (as I’ve
seen many people do) then you’ve got no vision and are going to be at a severe
disadvantage (it also leaves your legs open). Wear a good helmet to dissuade
people from trying to hit your head and so that you’ve got some protection there
when they do.
Shield bash
Knock your opponents weapon out the way with a hefty hit from your shield
before trapping it then repeatedly hitting them with your weapon. A shortsword works
quite nicely with this.
Polearm
Theoretically this can take out anyone. Hold your weapon nearer the front
with one hand so that you can drop it back in a split second and increase your
reach by several feet; this normally scares the hell out of people and few people
will try to engage you.
Instead, with polearms, you’ll either find `specials`, a large group of
ordinary warriors or other polearms on you. This is why polearms are so deadly in groups.
Dagger strike
When your enemy gets too close for comfort and is past your striking point
then a trick done by many is to hold a dagger in their back hand so that when they
are too close you can let go of your polearm, strike them with the dagger before
taking hold of your polearm again.
This is only a very small section of the simple fighting methods. There are, of
course, hundreds of more complicated and stylish manoeuvres such as disarms,
stun-parries and triple feints; but these are not for the common sargtlin to know.
Khaza`Rea
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