Memory and
Memorising
This is quite a long page. It is
designed to be read in sequence but you can jump to whichever section
you are interested in by clicking on the index:
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1.
Introduction
Most people think that
they have a poor memory. This must be wrong for the simple reason that most
people will have an average memory. Further to this, as a
university student you have already shown that you have at least
reasonable memorising abilities in order to have passed the course entry
requirements, such as with Highers or A levels. In reality almost
everyone has the ability to memorise just about anything, with a little
effort and practice. To begin with, we need
to understand why we remember certain things and forget others. For
example, why do you remember something complex such as your address, but
not the name of the person that you have just been introduced to at a
party? Part of the reason is that, as humans, certain things are much
more important than others. So, when we are introduced to someone the
older and primitive part of our mind (sometimes called the reptilian
complex) takes over and in doing so partially blocks our higher
thoughts. We are far more interested in what the person we have just
been introduced to represents than whatever label they may have, such as
a name. In other words we concentrate our mind on forming an opinion of
the person, which is more important than a name. We
remember our address, which is far more complex than a name, because it
is important to us. We do this because, in effect, we are still using
our reptilian complex - our territory is important to us just as the
character of a person is. Of course, we are
less likely to forget the face of the person at the party. It seems that
we are naturally good at remembering some things, but not others. What
we need to work out is how we can use our innate abilities to remember
certain things, such as faces or our address, in ways that will aid
studying. |

How
can we use different parts of the mind to help us remember? Back
to top of page
2.
Memory by Association
What did you have for lunch three
weeks ago today? The chances are that you don't remember. If you had had
lunch with someone famous, such as the Queen, would you then remember not
only the Queen but also what you had? Most people would remember, but why?
The first thing is that most people immediately picture
anything unusual, even if it's not something real (you probably had an
image of the Queen having lunch). The second important point is that, for
reasons that are not yet fully understood, we often remember things by association
- the important thing was lunch with the Queen, but we also remember what
we had, even though it's not as important. We can make use of these ideas
to help us remember just about anything. We
can pretty much ensure that we will memorise something by following these
steps: Step 1: Initial
awareness.
Become aware
of whatever it is you want to remember. That is, actually force
yourself to think about it. For example, we all lose our keys
from time to time. If, however, we force ourselves to be aware when we put
the keys down we are far less likely to forget where they are. To be
initially aware requires practice. Step
2: Visual association.
The next step is to find an unusual
visual association - the more unusual
the better. For example, John Lennon's middle name was Winston. If we want
to remember that fact we form an unusual picture combining two images, and
preferably one that invokes something from our reptilian complex. This can
include territory, aggression, sex, humour, food and so on - any basic
need or instinct. Here are images of John Lennon, and the person he was
named after:
The second image is a little unusual in that
Churchill is seen giving the "V for Victory" sign, but in a way
that is perhaps either mildly amusing or offensive. We
now need to combine these images in an unusual, and preferably bizarre
way. So, for example, perhaps Lennon has taken offence at Churchill's
gesture and they start fighting. The key thing is to actually picture
whatever you imagine. The best image is usually the first that you get,
and it should be bizarre and strong.
This takes practice but is fun. Spend a moment now
trying to think up some bizarre images that combine these facts:
-
Rod Stewart is proud of his Scottish heritage
although he was born in London.
-
JS Bach was the youngest child of a professional
musician.
-
The most commonly used trumpet is in B flat.
Whatever you thought of will be the best
image for you, as long as it was bizarre and visually strong. For
example, for the last fact on the list I visualised a happy little
trumpet-playing bee about to be flattened: 
Okay,
maybe not the nicest of images, but strong and
silly,
and therefore memorable. So, to summarise, if
we want to remember something we:
- Become aware.
- Find a bizarre visual
link.
It is, of course, important that we practice
carrying out the steps until they become second nature. |

You
don't see that every day! The more unusual, the more we remember. Back
to top of page
3.
The Link System
There are times when we need to
remember a long list of things, either a formal list or just things that
would be useful to have at our fingertips, especially in exams and so
on. We now know how to remember a single item, but what about a lot of
things? The answer is to use the same system of visual
association, and link one
image to the next. For example, let say we want to remember these two
things in order and that we have been asked to do so by our best friend: A
flute A
microphone The first thing we need to do is visually
associate the first object with our
friend in some bizarre
way. The friend gave us the list and so we will find it easier to
remember if we link it with him or her. So, now, try to picture your
friend and a flute in some silly way. For example, perhaps your friend
is playing a 12 foot long flute, or is "playing the
flute" at cards. When that image is fixed find another visual
association that links
the flute with the microphone. Perhaps you see your friend trying to
sing into a huge flute in a recording studio. As always, the first image
you see is usually the best as long as it is strong
and strange. Not
all of the images have to involve your friend, just the first. However,
it sometimes helps to have a common theme running through the list of
images. If it doesn't make sense to use a person as the starting point
find something else, such as the subject or module name. We
can keep adding to this list and build up as many items as we want to.
With a little practice 50 or more images, and so items on a list, can be
easily memorised. Now, memorise this list
using visual associations (we will
check on it again later): Electric
guitar F
sharp The
bass clef Harp A
conductor legato Harmony Ears If
you need to, go back over the list now
and reinforce your links.
The more times you do this the stronger the memory will become.
Eventually you will be able to dispense with the visual links and be
left with just the list in your memory. Likewise, it's a good idea to go
over an important list in your mind once a day,
visualising each item in the bizarre way that you first thought of. As
always, it's important that you practice
until the technique becomes second nature. Ask a friend to give you a
list to memorise over the next week and spend a few minutes everyday
practising strengthening the links. It's also an interesting and useful
exercise to try to remember the list in reverse order!
|

The
link system turns separate memories into chains. Back
to top of page
4.
Memorising Dates and Numbers
Dates and numbers are often
difficult to remember. They are abstract and in many ways unnatural to
deal with, in that we can instinctively quantify most things without
counting them. However, there are many methods for memorising numbers,
but most are complex and require a great deal of time and practice. The
good news is that there is a very simple method that will allow us to
remember most, if not all of the numbers we require, and that method is poetry. Let's
say we have to remember that Mozart died in 1791. There isn't anything
special about the year. If there was we could latch onto it and form a
visual association. For example, let's say that you have a relative that
was born in 1971 (i.e. a reversal of 1791). We could form a visual link
between the relative and Mozart. Many dates and numbers do have
properties such as this and they are worth looking for. That aside, we
can write a little poem that contains the relevant information, such as:
I’ve
known of Mozart since 17,
Yup, I think that’s how long its been.
Will I remember him at 91,
When
my hearing, sight and memory’s gone!
There are a few key points about this technique
that we need to keep in mind:
-
Keep the poem childlike
- "clever" things are harder to remember.
-
Review the
poem once a day until you remember it.
-
It's okay to forget the poem when it's no
longer needed.
A variation is to change the words of a song or
another well known poem, but, as always, we need to practice
the technique. It's likely that the first time you try to write a poem
it will take a little time, but you will get faster at it with a little
practice. It may seem like hard work at the time, although it should be
fun, but the work is worthwhile if it means the difference between
passing and failing an exam! Another thing
to keep in mind is that we don't always need to include the century if
it's obvious. So, for example, if we need to remember that synth-pop had
its hey-day in the 1980s we can just write a poem to include the 80s. We
are unlikely to forget that this means the 1980s, given the nature of
the subject. Now, write a little poem that
encompasses that fact that Robbie Williams was born in 1978. (Hint,
start by finding a rhyme for the number 8 if you are stuck). |

Be
creative and write a poem to remember dates. Back
to top of page
5.
Memory Reviewed
We have seen that there are simple
techniques that can greatly aid our memory, although they need to be practiced.
The most important steps are to become
initially aware and then to form bizarre
images. We can also memorise numbers such as dates by writing
simple poems. To this list we should
also add mind maps, which aid memory
as well as adding structure and links. It's
essential to remember that memorising is not the same as learning
and memory is not the same as knowledge. Rather, memory
techniques should be used as a tool to aid
learning and in revising
for exams. When we really understand a subject we tend to remember the
most complex of things without effort. It is
also essential that memory techniques are practiced
until they become second nature and effortless. When
trying to memorise we should be active,
through being aware and forming images,
and we should be reflective by reviewing
what we want to remember and strengthening the visual links. Now,
lastly, what about the list that you memorised before (you didn't think
I'd forgotten about it, did you?!). Write down the items on the list. If
you can't remember some of them you need to go back and strengthen your
visual linking image. Don't be discouraged if you need to go back, it
gets easier and easier the more you practice. |

We
remember the unusual. Exaggeration often helps.
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