In my opinion, it is not in this dialectic between the surface and that which is beyond that things are suspended. For my part, I set out from the fact that there is something that establishes a fracture, a bi-partition, a splitting of the being to which the being accommodates itself, even in the natural world.
This fact is observable in the variously modulated scale of what may be included, ultimately, under the general heading of mimicry. It is this that comes into play, quite obviously, both in sexual union and in the struggle to the death. In both situations, the being breaks up, in an extraordinary way, between its being and its semblance, between itself and that paper tiger it shows to the other. In the case of display, usually on the part of the male animal, or in the case of grimacing swelling by which the animal enters the play of combat in the form of intimidation, the being gives of himself, or receives from the other, something that is like a mask, a double, an envelope, a thrown-off skin, thrown off in order to cover the frame of a shield. It is through this separated form of himself that the being comes into play in his effects of life and death, and it might be said that it is with the help of this doubling of the other, or of oneself, that is realized the conjunction from which proceeds the renewal of beings in reproduction.
Jacques Lacan: Being and Semblance