- What are maps and what are their function?
- What is the difference between a map and a picture?
- What is the relationship of the map to the landscape it represents?
- How do you 'read' a map?
'...a Professor explains how his country's cartographers experimented with ever larger
maps until they finally made one with a scale of a mile to a mile. 'It has never
been spread out, yet', he says. 'The farmers objected: they said it would cover the
whole country, and shut out the sunlight! So now we use the country itself, as its own
maps, and I assure you it does nearly as well.' Lewis Carroll.
'... In that Empire, the craft of Cartography attained such Perfection that the Map
of a Single Province covered the space of an entire City, and the Map of the Empire
itself an entire Province. In the course of Time, these Extensive maps were found
somehow wanting, and so the College of Cartographers evolved a Map of the Empire that was
of the same Scale as the Empire and that coincided with it point for point.....'
Borges.
Two general characteristics of maps emerge from the above quotes. First, maps are
selective
: they do not, and cannot, display all there is to know about any given piece of the
environment. Secondly, if they are to be maps at all they must directly represent
at least some
aspect of the landscape.
We may divide the types of representation in maps into two different types: iconic
representation (which attempts to directly portray certain visual aspects of the
piece of territory in question) and symbolic representation (which utilises purely
conventional signs and symbols, like letters, numbers or graphic devices).
A map is selective. In other words, the mapmaker determines what is
, and more importantly, what is not
included in the representation. This is the first important sense in which maps are
conventional
. Another obvious way in which maps are conventional is in their use of 'projection'.
No curved space like that of the Earth can be projected in two dimensions without
some distortion. Over the years many different modes of projection have been developed:
some are better for conveying such elements as shape or size, some, for compass direction
or relative position. No one projection is the best or the most accurate. A particular
convention is selected by the mapmaker on the basis of functional and perhaps aesthetic criteria, or because of a specification or convention.
What, then, is the relationship of our representations of the world to that world?..
Rather than accept a split between the world and our experience of it... our experience
of the world and our representations of it are mutually interdependent, so there
is a sense in which the two are inseparable. Or, to put it in its most contentious form,
'the map is the territory'.
Maps and Pictures. Many pictures are presumably representations of a particular subject
or part of the landscape from a particular point of view. the point of view is taken
as having at least some significance and may indeed be the dominant aspect of the
picture. Whereas maps, though they have a point of view in the sense that they are
representations of parts of the landscape, deny or suppress that point of view...
it is not just that maps do have a perspective, or that the perspective is taken
for granted, it is rather that the disengagement hides the privileging of a particular conceptual
scheme. Maps, in this sense, are pictures. .... maps, to be capable of transmitting
information, have to be intersubjective.
no map, representation or theory can be independent of a form
of life.
It was not until the early 1400s that Ptloemy's Geographica
arrived in Europe, the same period in which Brunelleschi developed perspective geometry
and its application to architecture... Ptolemy's metrication meant that all points
were commensurable: that is, distances and directions could be established between
one place and any other. Further, unknown places could be given co-ordinates. It was
the synthesis of perspective geometry and Ptolemy's work that enabled the imposition
of a grid on the known world. Once that grid was imposed, the mathematician Toscanelli
was able to argue plausibly that sailing westwards across the Atlantic was a shorter
voyage to the Spice Islands than the traditional route...
The significance of Ptloemy's Geographica
was not just its use of a grid: it was also an atlas which enabled the co-ordination
of maps of individual lands into one map of the world.
- How do you know it is a map?
- How do you read it? Do you need anything that is not on the map to read it ('key')?
- What kind of symbols does it employ (Arbitrary, symbolic, natural, iconic? Can anyone
read the map or is there tacit knowledge involved?
- Is a scale necessary?
- Is there any information lost?
- Can there be multiple maps of the same place?
- What does the grid enable you to do? What sort of things can be measured? What social
accomplishments and practices are required to enable those measurements (metre, standard
yard, National Grid datum)?
- How many features of the map are depend upon continuing social and political practices
for their existence?
- Why can't we replace maps with photographs?
a maps non
-cartographic properties include:
- the materials composing the map, particularly as related to its physical strength
and durability
- its associated decorative embellishments
- written inscriptions on its margin, on its reverse, or on the pages with which it
is bound in a book or atlas
- references to it in other documents, including pictures
- its location, especially if this is permanent as with an alter-piece or mural painting
How to get to H and back again.....