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There are a few questions that we at J Roach Piano Services
are often asked. I have attempted to answer some of these questions below,
but please bear in mind that the answers reflect my own opinions, and
thoughts, and have been generalised to make them easier to understand.
I hopefully have also injected a little humor into my answers, and so
please do not take them to seriously. If you have any questions that you
would like answering, then please send them to me, and I shall try and
answer personally, or respond here. Also if you have any comments about
this page, then please do not hesitate to contact me. FAQ@pianoservices.co.uk
How often should I tune my piano?
The answer to this depends upon several factors.
| 1 |
Every time a piano is disturbed
or moved it will probably require re-tuning. Grand pianos are more susceptible
to this than uprights. |
| 2 |
How often is the
piano played? A piano that is in constant use will require re-tuning
more often than one that is infrequently used. Also a piano that is
played with vigor will require tuning more than one played
softly. |
| 3 |
How important is the sound
quality? When sound quality is very important a piano will require
tuning before each performance. |
| 4 |
In what environment is the
piano kept. Stability of temperature, and humidity, are very important,
as fluctuations of either will effect the tuning of the piano. When
we tune our pianos, for a performance, we prefer to deliver the
piano as early as possible, to allow the piano to stabilise in temperature,
and we try and tune it as near to the performance time as possible
requesting all spotlighting is turned on. |
| 5 |
What condition is the piano
in, and what quality of manufacture is it. A well maintained piano
is likely to keep it tune longer than one in poor condition, just
as a high quality piano will be better than a lesser quality piano. |
To summarise, in general, a frequently played piano, in
a central heated domestic home, will require tuning between two and three
times a year. A less frequently played piano might be tuned as little
as once a year. A well played piano, used for stage performances will
require tuning prior to every performance, possibly twice a day.
Go to tuning page.
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I wish to purchase an old
piano. What should I look for to ensure that I do not waste my money,
and buy one in poor condition?
By asking this question, it suggests that you are not experienced
enough to make an accurate assessment of a pianos condition! Fortunately,
there are plenty of people who are, and the best advice I can give to
you is to take some one along with you who can help. This could be an
experienced pianist, your piano tutor, or your local piano tuner. However
this is not always practical, especially if you initially have several
pianos to look at. Below is a list of some of the most important things
to look for when making a preliminary inspection of a piano.
| 1 |
Ask the owner of the piano
as much as possible about the history of the piano. How long have
they owned it? Where did they get the piano from? Where has it been
kept? Why are they selling it? Has it been refurbished? etc. Try
and build up a picture about the history, and try and get a feeling
for the piano and the owner. |
| 2 |
Play the piano, or try the
notes. Do they all work correctly? Is it in tune? If not why not?
Tuning a piano is relatively inexpensive, especially if you are
trying to sell it! Are there any odd noises (vibrations, rattles,
buzzing etc.)? |
| 3 |
Is the case in good condition?
(This might not be important to you, but might give some indication
as to how the piano has been looked after. It might also improve
the resale value). |
| 4 |
Look at the keys. What are they covered in. Ivory covered keys always
have some graining evident (quality ivory keys have very little graining)
and are expensive to replace if damaged or discoloured. Plastic key
covers are cheaper to replace if necessary. |
| 5 |
Open the lids, and remove
any covers on uprights, and have a good look inside. Lots of dust
indicates a piano that has not had any significant repairs, and
could be a good thing. A clean interior might indicate a recent
reconditioning. What did the owner tell you? |
| 6 |
The sound board (the flat
board under the strings) is one of the most difficult, and expensive,
parts of a piano to repair, and should be thoroughly inspected for
splits or cracks. Also look for surface defects, and poor repairs.
Dismiss any piano you see with possible problems here!! |
| 7 |
What are the tuning pins like? Rusty pins indicate a long storage
in a damp conditions, rounded off corners indicate bad treatment
in its past.
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| 8 |
All the dampers should be
level, and lift positively and evenly off the strings when operated
by the sustain pedal. |
| 9 |
The
hammer faces should also all be level, and the face should be free
from deep cuts where they strike the strings. There should be no
significant side to side movement in the hammers.
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| 10 |
What condition is all the
fabric (leather, tapes, etc.) and has the piano been
the victim of moths. A quick test is to determine the free movement
in the keys. Lightly touch a key, and depress slowly until the piano
action can just be seen to activate. This initial movement (play)
in the key should be hardly be noticeable. If it is only one or
two keys, then it could be as a result of wear, if it is in all
the keys, then moths have probably destroyed the leather cushions.
Also listen for excessive mechanical noise in the action, again
possibly due to damage to the cushions, or other fabric
parts. |
| 11 |
The soft pedal
operates in one of several ways. Either it slides the keyboard to
the right, in which case check it operates smoothly, and that the
hammers now strike one less string (Very common on Grand Pianos).
Alternatively it might move the hammers closer to the strings, in
which case they should all move together, freely. Another method is
a felt damper brought, lightly, between the hammers and their contact
with the strings, check is action and condition. |
| 12 |
Carefully inspect the wrest pin block (the wooden block where the
wrest, or tuning, pins are fitted).On upright pianos this is often
quite easy to see, but on Grand pianos (and some upright pianos)
it is more difficult, as the wrestpin block is covered by the iron
piano frame (harp). In these cases you need to see behind the pin
block if possible (this is best done on grand pianos by removing
the keyboard cover and looking up through the gap to see the underside
of the board, and see the holes that the tuning pins are fitted).
Look for splits, or other damage, especially between these holes.
If you can not see the block, then try and feel for any defects.
This will affect the ability of the piano to stay in tune, and is
considered a serious defect, so reject any pianos with problems
here. |
This is by no means a complete list of items to check, and is in no
way intended to be used as a substitute for having an experienced person
check the piano thoroughly. It is however a good starting point when
short listing pianos to have a further inspection, and also, as most
problems indicated are repairable, a good point to start negotiating
a reduction in price, though get expert opinions on the costs of necessary
repairs.
Why should I purchase a piano,
when electric keyboards sound just as good?
It is true that many of the better electric keyboards sound (nearly)
as good as a piano, and even have the feel of a piano action, but there
are several reasons that a piano is superior (in my totally biased opinion!!),
and these are outlined below.
| 1 |
A keyboard does not have
character . Every Yamasio 1000 that was produced
look, feels and sounds like every other Yamasio 100 ;.
Due to the nature of manufacturing pianos, with natural materials,
and skilled craftsmanship, no two pianos are alike. To an experienced
pianist, this adds to the performance, as the pianist needs to fine
tune their performance to the actual piano. This builds up a;relationshi ;
between the pianist and their piano, which can last many years. |
| 2 |
Good pianos last extremely
well. Many quality pianos are already over 100 years old, and outlasting
their owners. Where will your electric keyboard be in 75 years time? |
| 3 |
What happens if your keyboard
stops working? Where do you get help? and how much will it cost
to repair? Pianos have a very simple mechanical action, that can
usually be repaired by one of many experienced piano technicians.
There are also very few;terminal ; problems with a piano,
that can not be rectified. |
| 4 |
Looks. Well what can I say!
What looks nicest, a hand crafted polished, Burr Walnut case, upright,
a gloss black polyester finished 7' concert grand piano, or a matt
black plastic electric keyboard ??? |
| 5 |
Costs. A top of the range
electric Keyboard might be a little cheaper than a quality upright,
or grand piano, but what will it be worth in a few months, or even
years time. Quality pianos hold their value extremely well, and
can even increase in value, the Yamasio 1000 keyboard is virtually
worthless when the Yamasio 1000mkII is available. |
| 6 |
Finally, if you had an electric
keyboard, instead of a piano, you would miss out on the visit by that
local character (commonly referred to as a Piano Tuner ) who
is full of help, advice, and one or two amusing stories. Now you would
be missing something there. |
Any one who suggests that the above it a little biased,
coming from a piano services company, I would have to agree!! So to balance
the argument a little, here are the things that make a keyboard better
than a piano:-
| 1 |
Smaller (easy to hide away!) |
| 2 |
Lighter (easy to throw away!) |
| 3 |
Have lots of extra features
(most of which you will never know how to use!) |
| 4 |
Have a volume control (and
an off switch!).
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