EMG SYMPHONY
ORCHESTRAL CONCERT
GREAT HALL, UNIVERSITY OF EXETER
SATURDAY 29th. NOVEMBER 2003.
ROTARY BENEFITS FROM EMG
CONCERT
The International Rotary movement appeal for
the worldwide eradication of polio is set to benefit from a
considerable sum as the result of last Saturday's concert in the
Great Hall of the University of Exeter. Given by the EMG Symphony
Orchestra, the concert project was coordinated by the Rotary Club
of Otter Valley, and they helped to ensure a tremendous response.
The centre picture below shows Keith Fulford (Chairman EMGSO) and
Roger Hendy (MD) presenting the final cheque to Jim Mullen, Ottery
Valley Rotary at a recent meeting. Over £3500 was raised for
charity.
Musically, the concert conducted by East
Devon's Roger Hendy, was another triumph for the orchestra. It
is a great tribute to the musicians to be found locally, here in
Devon, that playing of such quality is possible. And the orchestra
never takes easy options in choosing its programmes.
This was a concert of Great
Russian Classics but, except for the final 1812 Overture, it didn't consist of the obvious popular works but
rather two outstanding works of the 20th. century -
the Fifth Symphony of Shostakovich and the First Piano Concerto of
Prokofiev.
|
Robin Davis (piano) |
Presentation
of a final cheque
to Jim Mullen
(President of Ottery Valley
Rotary). |
Roger Hendy & EMGSO
in concert |
The pianist in the concerto was the
remarkably talented young pianist from Talaton, Robin Davis. He
has just graduated from Fitzwilliam College, Cambridge, where he
was an organ scholar. He found the percussive nature of
Prokofiev's writing, and the driving rhythms and ecstatic mood
to his liking, in a seemingly faultless performance of what, at
the time of its premiere in 1912, was described as 'football'
music. His playing had great verve, clarity, and variety
of tone. At times the orchestra might have been reined in a little
so that he could have been heard to greater advantage.
The Shostakovich symphony was the one which
returned its composer to favour with the Communist authorities as
'The creative reply of a Soviet artist to justified
criticism'. It has proved to be his most popular symphony, with
great dramatic interest and striking contrasts. It opened the
concert and the orchestra took a few minutes to settle in the
searching first movement, where the upper strings found themselves
a little exposed at times, but they went on to give a vivid
account with solos beautifully taken by the leader (Clare Smith),
and members of the woodwind section. The large horn and brass
sections gave a superb display of fine playing. Roger Hendy took
his players through to the finale at a cracking pace and there was
no sign of flagging.
Then to end there was Tchaikovsky's
Festival Overture
(The Year 1812), better known simply as the 1812 Overture. It enjoyed a suitably bombastic performance with the
percussion section enjoying themselves in the guise of cannons and
mortars as the Battle of Borodino and Napoleon's retreat from
Moscow were portrayed.
A special mention must be made of the piece
which opened the concert. It was, of course, the National Anthem.
Here Roger Hendy proved himself to be an able composer - or
arranger, as well as a conductor and string player in his own
right. For this concert he made a special, rousing arrangement of God
save the Queen, with syncopations and an exciting part for the
brass. It set proceedings off to a fine start.
East Devon Press - 30.11.03.
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