| Open Diapason | (8') | Compass: GG/AA (as 8ve) - f | |
| Stopped Diapason Bass | (8') | ||
| Stopped Diapason Treble | (8') | Temperament: 1/5-comma meantone | |
| Principal | (4') | ||
| Fifteenth | (2') | Shifting movement |
| Stopt Diapason* | (8') | * = Avery | Compass: GG/AA - e |
| Dulciana** | (8') | ** = Avery & 19th C. | |
| Principal Bass* | (4') | *** = new | Temperament: 1/5-comma meantone |
| Principal Treble* | (4') | ||
| Fifteenth Bass* | (2') | ||
| Fifteenth Treble* | (2') | ||
| Sesquialtera Bass*** | GG 17.19.22 tenor f 15.17.19 |
||
| Cornet Treble*** | middle c 12.17 |
Photograph: John Brennan
G. Verloop, The Netherlands
St Anne's Church, Limehouse, London
Gray & Davison, 1851
| Great C - f, 54 notes | Swell c - f, 42 notes | Choir C - f, 54 notes | Pedal C - e, 29 notes | |||||||
| Double Open Diapason | 16 | Bourdon | 16 | Stopped Diapason Bass | 8 | Grand Open Diapason | 16 | |||
| Open Diapason | 8 | Open Diapason | 8 | Clarionet Flute, tenor c | 8 | Grand Bourdon | 16 | |||
| Open Diapason | 8 | Stopped Diapason | 8 | Dulciana | 8 | Grand Octave | 8 | |||
| Stopped Diapason | 8 | Octave | 4 | Keraulophon, tenor c | 8 | Grand Bombard | 16 | |||
| Octave | 4 | Fifteenth | 2 | Octave | 4 | |||||
| Flute | 4 | Sesquialtra | III-II | Flute | 4 | |||||
| Twelfth | 3 | Cornopean | 8 | Fifteenth | 2 | Couplers | ||||
| Fifteenth | 2 | Oboe | 8 | Clarionet | 8 | Swell Manual to Great | ||||
| Flageolet | 2 | Clarion | 4 | Swell to Choir Manual | ||||||
| Sesquialtra | III-II | Swell Manual to Pedals* | ||||||||
| Mixture | II | Lever Swell pedal | 4 composition pedals to Gt. | Great Manual to Pedals | ||||||
| Posaune | 8 | 2 composition pedals to Sw. | Choir Manual to Pedals | |||||||
| Clarion | 4 | * Octave coupler | ||||||||
